{"title":"Reflection III","authors":"Bryan White","doi":"10.1093/oso/9780190913441.003.0011","DOIUrl":null,"url":null,"abstract":"By the beginning of the seventeenth century speculative music, the branch of musical thought the origins of which can be traced back to Pythagorean and Platonic concepts of the ordering of the cosmos through the proportions of musical intervals and of the music of the spheres, had diverged completely from practical musical performance and composition. Thomas Morley, in his ...","PeriodicalId":170682,"journal":{"name":"World Soul","volume":"59 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"World Soul","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190913441.003.0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
By the beginning of the seventeenth century speculative music, the branch of musical thought the origins of which can be traced back to Pythagorean and Platonic concepts of the ordering of the cosmos through the proportions of musical intervals and of the music of the spheres, had diverged completely from practical musical performance and composition. Thomas Morley, in his ...
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