De Sanctis: Appunti di estetica. Leopardi, Schopenhauer, Darwin e la letteratura

Giuseppe Panella
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Abstract

Francesco De Sanctis never redacted those rules of Aesthetics that the Zurigo lessons could foreshadow he would write on that matter and that he would like to leave to posterity. But the glimmers of it can be found in some of his most important writings about literature and society. In Schopenhauer e Leopardi (1996 [1858]) the pervasiveness between form and subject matter is exalted as well as in the writings dedicated to Darwinism in Art and to some novels by Emile Zola. In them Realism is opposed to Arcadic tradition of Italian literature and an appeasing vision of it. A Desanctisian Aesthetics based on those issues was the center of a possible Benedetto Croce-Giovanni Gentile-Antonio Gramsci line-up. It is built on the ideality of a new Popular National literature that finds its turning point in it.
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De Sanctis:美容笔记。利奥帕迪,叔本华,达尔文和文学
弗朗西斯科·德·桑科斯从未修改过那些美学的规则,而这些规则是在苏里戈的课程中所预示的,他会写关于这个问题的文章,他想留给子孙后代。但在他关于文学和社会的一些最重要的作品中,我们可以发现这种想法的微光。在叔本华和利奥帕尔第(1996[1858])的作品中,形式和主题之间的普遍性,以及在致力于艺术中的达尔文主义的作品和埃米尔·左拉的一些小说中,都得到了推崇。在他们的作品中,现实主义与意大利文学的世外桃源传统和一种绥靖的愿景是对立的。基于这些问题的Desanctisian美学是Benedetto Croce-Giovanni Gentile-Antonio Gramsci可能的核心。它建立在一种新的大众民族文学的理想之上,这种文学在其中找到了它的转折点。
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