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Il Carnevale tra limiti, trasgressioni, rinnovamenti e rivendicazioni. Resistenza festiva a Nizza, Marsiglia e Viareggio. 在界限、罪过、更新和要求之间的狂欢节。尼斯、马赛和维亚雷乔的假日抵抗。
Pub Date : 2020-12-31 DOI: 10.13128/LEA-1824-484X-12445
Monika Salzbrunn, F. Moretti
In the project ARTIVISM ( ), funded by the European Research Council, we analyze a broad range of artistic tools, styles and means of expression, namely festive events and parades, cartoons and comics, and street art. In this article, we focus on carnivals as a festive form of resistance, wherein participants need to develop strategies of action to overcome attempts of control and repression by public authorities or Carnival foundations. In particular, we focus on the offi cial and independent carnivals in the Mediterranean cities ofViareggio, Nice and Marseille to disclose underlying dynamics and tensions characterizing these events.
在由欧洲研究理事会资助的项目ARTIVISM()中,我们分析了广泛的艺术工具、风格和表达方式,即节日活动和游行、卡通和漫画以及街头艺术。在本文中,我们将重点放在嘉年华作为一种节日形式的抵抗上,其中参与者需要制定行动策略,以克服公共当局或嘉年华基金会的控制和镇压企图。我们特别关注地中海城市维亚雷焦、尼斯和马赛的官方和独立嘉年华会,以揭示这些活动的潜在动态和紧张关系。
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引用次数: 1
“Or vient Caresme”: dialoghi di un eroe e dialettica di una festa nel "Moniage Guillaume lungo" (I branche) “Or vient Caresme”:“Moniage Guillaume long”中英雄的对话和对话
Pub Date : 2020-12-01 DOI: 10.13128/LEA-1824-484X-12433
Giulio Martire
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引用次数: 0
Recensione a Weijie Song, “Mapping Modern Beijing. Space, Emotion, Literary Topography”, New York, Oxford UP, 2018, pp. 320. Una topografia letteraria e un atlante delle emozioni 《现代北京地图》评论。《空间,情感,文学地形》,纽约,牛津大学出版社,2018年,第320页。文学地形图和情感地图集
Pub Date : 2020-12-01 DOI: 10.13128/LEA-1824-484X-11005
Andrea Scibetta
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引用次数: 0
Lao She e Dante. Ricezione ed “emulazione” 老舍但丁。rice - zione和emulazione
Pub Date : 2020-12-01 DOI: 10.13128/LEA-1824-484X-10981
Zhengming Wen
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引用次数: 0
Un incontro mancato? Baudelaire e Wagner 错过会议?波德莱尔和瓦格纳
Pub Date : 2019-06-07 DOI: 10.13128/LEA-1824-484X-25590
M. Landi
The current contribution aims to disclose to the Italian readers some relevant aspects of a forthcoming volume entitled: Baudelaire et Wagner . In spite of an ideological purpose prevailing in the 18th Century – fraternity and correspondence between arts –, a secret rivalry between arts and artists themselves is assumed. This essay mainly focuses on the relationship between Baudelaire and Wagner in order to discuss, on the basis of the intertextuality and discourse analysis of Baudelaire’s Richard Wagner et Tannhauser a Paris , its traditional interpretation: under cover of irony, the panegyric hides in fact, a pamphlet .
目前的贡献旨在向意大利读者披露即将出版的题为“波德莱尔与瓦格纳”的卷的一些相关方面。尽管在18世纪盛行着一种意识形态目的——艺术之间的博爱和通信——但艺术和艺术家之间却存在着一种秘密的竞争。本文主要探讨波德莱尔与瓦格纳的关系,在对波德莱尔的《理查德·瓦格纳与唐豪瑟在巴黎》的互文性和话语分析的基础上,探讨其传统解读:在反讽的掩护下,颂词实际上隐藏着一本小册子。
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引用次数: 1
Le "interazioni forti". Per Luigi Meneghello 强大的互动。致路易吉·梅尼盖罗
Pub Date : 2018-12-30 DOI: 10.13128/LEA-1824-484X-24816
Diego Salvadori
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引用次数: 0
Ein Gespräch: Szondis Celan-Studien 真有你的
Pub Date : 2018-12-24 DOI: 10.13128/LEA-1824-484x-24425
Lorella Bosco
My paper aims at reconstructing the intellectual dialogue between Paul Celan and Peter Szondi, moving from their common Jewish background. It will focus especially on Szondi’s essays on Celan’s poetry which raise a number of questions concerning the hermeneutic approach to texts and the possible knowledge of biographical and historical frameworks in the analysis of literary works.
本文旨在从保罗•策兰和彼得•松迪共同的犹太背景出发,重构他们之间的思想对话。它将特别关注Szondi关于策兰诗歌的文章,这些文章提出了一些关于文本解释学方法的问题,以及文学作品分析中传记和历史框架的可能知识。
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引用次数: 0
Raul Calzoni, La letteratura tedesca del secondo dopoguerra. L’età delle macerie e della ricostruzione (1945-1961) , Roma, Carocci, 2018 2 , pp. 318 e La letteratura tedesca contemporanea ... 劳尔·卡尔佐尼,二战后的德国文学。《瓦砾与重建的时代》(1945-1961),罗马,卡罗奇,2018年2月,第318页
Pub Date : 2018-12-24 DOI: 10.13128/LEA-1824-484X-24434
Isabella Ferron
These three recent publications focus on the study of German-speaking literature between the end of World War II in 1945 and today. In the first volume, Calzoni focuses on literary production immediately after 1945 until the building of the Berlin Wall; in the second volume his target is literary production between 1961 and today, with particular attention to its relation with mass media. Hermann and Horstkotte concentrate their reflections and analysis on the period after the Berlin Wall (1989) and the present days. The year 1989-1990 represents a significant hiatus in literary production and is considered the starting point for the development of a new form of literature that has to face multifaceted, globalised contemporary society.
这三本最近出版的著作集中研究了1945年第二次世界大战结束至今的德语文学。在第一卷中,卡尔佐尼把重点放在1945年之后直到柏林墙建成的文学创作上;在第二卷中,他的目标是1961年至今的文学作品,特别关注其与大众媒体的关系。Hermann和Horstkotte将他们的思考和分析集中在柏林墙(1989)之后的时期和现在。1989-1990年是文学创作的一个重要时期,被认为是一种新的文学形式发展的起点,它必须面对多方面的、全球化的当代社会。
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引用次数: 0
Der arme Verwandte am Tisch: Die kritische Hermeneutik von Peter Szondi und der jüdische Literaturbegriff 桌上可怜的亲戚:彼得·桑迪的批评风格以及犹太文学名词
Pub Date : 2018-12-24 DOI: 10.13128/LEA-1824-484X-24427
Karl Vajda
The aim of this paper is to examine critically Peter Szondi’s literary hermeneutics from the perspective of his “huphainologic” concept, which stems from the Aristotle-inspired poetological character of this hermeneutics. In order to perform this task, I seek to answer the question whether Szondi’s text- and scriptocentrism is not a consequence of its neglect of the Jewish exegetical tradition. For the sake of giving an adequate analysis of problems raised by this question, I contrast the occidental, text-centered concept of Revelation with its oriental counterpart based on consonant script. As a next step, in this context, I give an outline of the reading- and interpretation-centred concept of Scripture characteristic of the period of Tannaim, touching upon the topic of middot (the methods or principles used by rabbinical hermeneutics), as well as exploring the dynamic nature and exegetical creativity of the reading- and interpretation-centred approach to Hebrew Revelation.
本文的目的是从他的“huphainological”概念的角度来批判性地审视彼得·松迪的文学解释学,这一概念源于这种解释学的亚里士多德启发诗学特征。为了完成这项任务,我试图回答这样一个问题,即Szondi的文本和剧本中心主义是否不是其忽视犹太训诂传统的结果。为了充分分析这个问题所带来的问题,我将西方以文本为中心的启示录概念与东方以辅音文字为基础的启示录概念进行了对比。下一步,在此背景下,我将概述坦纳姆时期以阅读和解释为中心的圣经概念,触及middot(拉比解释学使用的方法或原则)的主题,并探索以阅读和解释为中心的希伯来启示录方法的动态性质和训诂创造力。
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引用次数: 0
Exploring the transnational connections between blended learning spaces, trans-institutional collaboration, and intercultural awareness in transformative telecollaborative projects 在变革性远程协作项目中,探索混合学习空间、跨机构协作和跨文化意识之间的跨国联系
Pub Date : 2018-12-24 DOI: 10.13128/LEA-1824-484X-24403
G. Carloni, Samuele Grassi, Anita Virga, Brian Zuccala
This introductory essay aims to shed light on the theoretical raison d’etre , the intersections within, and the main lines shared by the five essays that make up this section. The section is dedicated to transnational and blended learning spaces in telecollaborative, trans-institutional projects. This piece pivots on the increasingly important and pervasive theoretical notion of the “Spatial Turn” (Bachmann-Medick 2016, 211-243), which has become increasingly visible in, among other fields, pedagogy and cultural studies, and more specifically in the idea of boundary-crossing and hybridisation not only of physical but also of methodological spaces. This introductory essay shows how these five scholarly pieces contribute in different ways to enriching the interdisciplinary scholarly space at the intersection of intercultural awareness and technology- enhanced teaching and learning of foreign languages and cultures.
这篇介绍性的文章旨在阐明存在的理论原因,其中的交叉点,以及组成本节的五篇文章共享的主线。该部分致力于远程协作、跨机构项目中的跨国和混合学习空间。这篇文章以“空间转向”这一日益重要和普遍的理论概念为中心(巴赫曼-梅迪克2016,211-243),这一概念在教育学和文化研究等领域越来越明显,更具体地说,不仅在物理空间,而且在方法论空间的跨界和混合思想中也越来越明显。这篇介绍性文章展示了这五篇学术论文如何以不同的方式在跨文化意识和技术的交叉领域丰富跨学科的学术空间——加强外语和文化的教学和学习。
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引用次数: 1
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LEA : Lingue e Letterature d'Oriente e d'Occidente
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