Death and Transmediations: Manuscripts in the Age of Hypertext

A. Antonini, Francesca Benatti, Nicola Watson, Edmund G. C. King, Jonathan Gibson
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引用次数: 2

Abstract

Has Hypertext killed off both the form and value of manuscript? Digital authoring first and web authoring later have changed drastically the availability and type of traces that reflect both creative and editorial processes. In this view, the consolidated approaches on manuscript studies involving the analysis of material artefacts are challenged. While new methodologies such as digital "forensics" and "virtual desks" are emerging, the nature and relations of native-digital manuscripts are yet to be fully investigated. This contribution accounts digital artefacts within the field of manuscript studies, identifying parallels between material manuscripts and hypertext features in their value as documents. The mapping between digital and material artefacts outlines a theory of manuscript "transmediations" identifying where and how manuscripts cues are reflected in digital technologies. This theory is developed through case studies and analyses of digital transitions. In a discussion, we highlight key challenges and future directions for scholarly editions of digital manuscripts. Lastly, we elaborate the requirements of a hypertext "genre" for digital manuscripts that supports reconciling the open-ended collaborative process of curation with the need for a coherent narrative addressed to the broader public.
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死亡与调解:超文本时代的手稿
超文本是否扼杀了手稿的形式和价值?首先是数字创作,然后是网络创作,这极大地改变了反映创意和编辑过程的痕迹的可用性和类型。在这种观点下,对手稿研究的综合方法涉及对材料人工制品的分析受到了挑战。虽然诸如数字“取证”和“虚拟办公桌”等新方法正在出现,但原生数字手稿的性质和关系尚未得到充分调查。这一贡献说明了手稿研究领域内的数字人工制品,确定了材料手稿和超文本特征之间作为文件价值的相似之处。数字和物质人工制品之间的映射概述了手稿“中介”理论,确定了手稿线索在何处以及如何反映在数字技术中。这一理论是通过案例研究和数字化转型分析发展起来的。在讨论中,我们强调了数字手稿学术版的主要挑战和未来方向。最后,我们详细阐述了数字手稿的超文本“流派”的要求,以支持协调策展的开放式协作过程,并需要向更广泛的公众提供连贯的叙述。
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