“More Cowbell”

Christopher Washburne
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引用次数: 3

Abstract

This chapter is an ethnographic study of New York–based Latin jazz in the twenty-first century. It uses five prominent bandleaders actively shaping the future of Latin jazz as case studies—Eddie Palmieri, Michele Rosewoman, Carlos Henríquez, Miguel Zenón, and Bobby Sanabria—demonstrating how the historical specificities and developments discussed in the preceding chapters continue to reverberate and inform the music made in the present. Their voices and perspectives demonstrate how each of these musicians adopts unique strategies to navigate the terrain of inequity and adversity. They represent significant trends that will assert much influence on generations of musicians to come. Their combined perspectives suggest that Latin jazz is not, nor ever should it have been, an “other jazz.” Its presence can no longer be silenced or erased. All of the music and musicians associated with jazz deserve to be fully embraced and recognized.
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本章是对21世纪纽约拉丁爵士乐的民族志研究。它使用了五个杰出的乐队领导积极塑造拉丁爵士乐的未来作为案例研究-埃迪帕尔米耶里,米歇尔罗斯万,卡洛斯Henríquez,米格尔Zenón,和鲍比萨纳布里亚-展示历史的特殊性和发展如何在前几章讨论继续回响,并告诉音乐制作在现在。他们的声音和观点展示了这些音乐家如何采用独特的策略来驾驭不平等和逆境的地形。它们代表了重要的趋势,将对未来几代音乐家产生重大影响。他们的综合观点表明,拉丁爵士乐不是,也不应该是“另一种爵士乐”。它的存在不能再被压制或抹去。所有与爵士乐有关的音乐和音乐家都应该得到充分的接受和认可。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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The Second Birth of Latin Jazz The “Othering” of Latin Jazz “More Cowbell” “El Tema del Apollo” Epilogue
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