PUNK ROCK NA AMAZÔNIA: ELEMENTOS INTERCULTURAIS NAS CANÇÕES DA BANDA ATO ABUSIVO

Keila Michelle Silva Monteiro
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Abstract

This article presents a study of some songs by the punk rock band Ato Abusivo, to punctuate elements of interculturality. According to Nettl, the social, cultural and identity context of songs is observed, and Béhague, the process of composition that considers psychological, physiological and sociocultural elements. There were semi-structured interviews with musician punks, access to audios and personal material of the band. It was observed that elements of hybridization (García Canclini) are presented in the songs studied, in order to affirm the interculturality in the band's work.
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亚马逊朋克摇滚:ATO ABUSIVO乐队歌曲中的跨文化元素
本文对朋克摇滚乐队Ato Abusivo的一些歌曲进行了研究,以强调跨文化的元素。根据Nettl的观点,歌曲的社会、文化和身份背景被观察到,bassahague是一个考虑心理、生理和社会文化因素的作曲过程。他们对朋克音乐人进行了半结构化的采访,获得了乐队的音频和个人资料。据观察,杂交元素(García Canclini)在研究的歌曲中呈现,以肯定乐队工作中的跨文化性。
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PUNK ROCK NA AMAZÔNIA: ELEMENTOS INTERCULTURAIS NAS CANÇÕES DA BANDA ATO ABUSIVO
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