Videografi Kampanye dalam Mitos Seni Propaganda (Analisis Semiotik Terhadap Video Klip Politik Pilpres Indonesia 2014)

Vedy Santoso
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Abstract

Campaign Videography in Propaganda Art Myth (Semiotic Analysis towards Politics Video Clip of IndonesianPresidential Election 2014). Digital videography is one of the audio-visual work of art that developedwith the support of recording media technology. In addition to presenting the charged aesthetic value as a workof art, videography also has a function as media propaganda, as seen in the presidential election campaignvideography. In the 2014 presidential election, both candidates for president and vice president using the mediumof video as a tool to build their image in society. Effectiveness videography become the focus of the study,the extent to which the media can build a new myth in society in accordance with the imaging is presented inthe campaign video. By comparing both video campaigns of each candidate for president and vice president, wecan see how both sides provide imaging in accordance with the idealized image seoramg leader. Prabowo -Hattadescribe a leader who firmly and nationalist spirit, while Jokowi-JK portray themselves as populist leaderfigure. Then when videography charged art used for political, practical aesthetic symptoms can be translated aspropaganda art discourse by postmodern art theory. By looking at the interest of the public who enthusiasticallysupported the two presidential candidates and their representatives can be said that the image made by bothparties fairly successful. But the discourse of propaganda art is only a myth of mass culture that is momentary,because when the season finishes public campaigning has gained a new myth about the performance ofPresident. So from the phenomenon of Indonesian presidential campaign’s video in 2014 can be understoodthat the culture of democracy in Indonesia has experienced significant growth, and with the support of technologyvideography arena of ideological struggle-even extends not only affects political ideology, but also involves theideology of artists, ideology works of art, and the ideology of society into the arena.Keywords: Videography, Art Propaganda, and Myth.
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宣传艺术神话中的政治视频分析(2014年印尼政治选举)
宣传艺术神话中的竞选录像(2014年印尼总统选举政治录像片段符号学分析)。数字摄影是在记录媒体技术的支持下发展起来的视听艺术作品之一。影像摄影除了作为艺术作品呈现被赋予的审美价值外,还具有媒体宣传的功能,如总统竞选影像摄影。在2014年的美国总统大选中,无论是总统候选人还是副总统候选人,都把视频作为一种媒介来塑造自己在社会中的形象。有效性录像成为研究的重点,媒体在多大程度上可以根据影像在社会上建立一个新的神话。通过对比总统和副总统候选人的视频竞选,我们可以看到双方是如何按照理想化的图像序列领袖提供图像的。普拉博沃-哈特将自己描述为坚定的民族主义领袖,而佐科威- jk则将自己描述为民粹主义领袖。那么当录像艺术被用于政治、实用的审美症状时,后现代艺术理论可以将其翻译为宣传艺术话语。从公众对两位总统候选人及其代表的热情支持来看,可以说两党所塑造的形象相当成功。但是,宣传艺术的话语只是一个短暂的大众文化神话,因为当这个季节结束时,公众竞选活动就会产生一个关于总统表现的新神话。所以从2014年印尼总统竞选视频的现象可以了解到,印尼的民主文化经历了显著的成长,并且在技术的支持下,意识形态斗争的舞台——甚至延伸,不仅影响到政治意识形态,还涉及到艺术家的意识形态,艺术作品的意识形态,以及社会的意识形态进入了舞台。关键词:录像,艺术宣传,神话。
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