數位在陶藝創作之工藝精神

Abstract

數位在陶藝的創作不是要直接以數位的方式製造出陶瓷，取代人為主體，如此便是分斷了人與物互動的動覺智能。相較於工業化，生產連結著特定知識，然而身體勞動卻與生產是分斷的，沒有立即的動覺智能。本研究以筆者的陶藝作品與數位工具使用之關係切入，目的在於檢視主體意識、動覺智能與特定知識三者間之關係，以此建立工藝精神之探討架構；探討結果發現，數位工具的使用，雖然脫離了物性與技術限制，但若能適度地運用直覺捏塑方式則有助於美感的經驗發展，當再次接觸陶土實作時，數位經驗的潛移特性，更將有助於造型的體悟與精進。最後，數位工具的使用理當回歸創作者主體意識的探討，結合特定知識與動覺智能，更能激發更多創作的發展。  Digital tools are not meant to replace the subjective in ceramic creations. By comparison with industrialization, production is linked to specific knowledge, whereas physical labor is ceased from the production process, and there is nothing about subjective consciousness and bodily-kinesthetic intelligence.This study examines the relationship between subjective consciousness, kinesthetic intelligence, and specific knowledge based on the ceramic works and the use of digital tools, to establish a theoretical framework. The results of the discussion found that if the intuitive kneading method with digital tools can be used moderately, it is conducive to the aesthetic experience without the restriction of physical properties and skill limitations, and when the clay is applied again, the experience of digital kneading would be transferred, which is conducive to the realization of the clay modeling. The use of digital tools should return to the discussion of the creator’s subjective consciousness, combined with specific knowledge and kinesthetic intelligence, which can stimulate the development of creations.