Icons, Images, Interpretations: Arrian,Lukian, their Relationship, and Alexander at the Kydnos

S. Müller
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Abstract

Alexander was the most prominent Argead and one of the major figures in Second Sophistic literature. The Second Sophistic authors had their own respective images of Alexander, treatment of their sources, and intention to write about him. This paper aims at exploring Lucian's ironic response to the historiographical Alexander images in his time. It will be argued that by ridiculing the current Alexander images in Second Sophistic literature, particularly as provided by Arrian's Anabasis, Lucian did not mean to make fun of the historical Alexander but of his reception and the bias and artifice involved.
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图标,图像,解释:阿里安,卢基安,他们的关系,亚历山大在基德诺斯
亚历山大是最杰出的阿吉阿德,也是第二诡辩文学的主要人物之一。第二诡辩派的作者们对亚历山大有各自的形象,对他们的资料的处理,以及写他的意图。本文旨在探讨卢西安对亚历山大时代史学形象的反讽回应。有人会说,通过嘲笑第二诡辩派文学中当前的亚历山大形象,尤其是阿里安的《阿纳巴基斯》提供的亚历山大形象,卢西安并不是要取笑历史上的亚历山大,而是要取笑他的接受方式以及所涉及的偏见和技巧。
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History in/of Hellenistic Thessaly Miltiades B. Hatzopoulos The Argead Kings of Macedonia in the 'Chronicle' of John of Nikiu Review of Alejandro Díaz Fernández (ed.), Después de Mantinea. El mundo griego y Oriente ante el ascenso de Macedonia, Barcelona, Bellaterra Ediciones, 2023 Reseña de I. Molina Marín, Antes y después de Alejandro Magno ¿El hombre que cambió el mundo?, Rhemata, 2023
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