Figurative structure of the Avar proverbs

M. Magomedov, S. Mallaeva, Z. Omarova, D. Magomedov
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Abstract

The article considers the artistic means used in the Avar language for the enhancing of the expressiveness of proverbs: brevity, rhythm, alliteration, rhyme, paired use of words, parallelism. Brevity is characterized as the most important stylistic law of the proverb which gives it nativeness and distinguishes it from the maxim which is a literary version of the proverb. Imagery is also inherent in the Avar paremia, although it is not obligatory. Imaginative transfer can be both metonymic and metaphorical. The rhyme in the paremia of the Avar language is represented by the repetition of similar combinations of sounds in the semantic centers of proverbs and sayings. The end rhymes are not characteristic for the Avar language as well as for the structural organization of paremias. Absence of the end rhyme is compensated by wide use of alliteration (the initial rhyme) repetition of the same consonant sounds in the anlaut which enhances the expressiveness of the paremias. Keywords–Avar language, proverb, structural bases, brevity, figurativeness, rhythm, rhyme, parallelism
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阿瓦尔谚语的比喻结构
本文探讨了阿瓦尔语在提高谚语表现力方面所采用的艺术手段:简洁、韵律、头韵、押韵、对词、并列。短句来源简洁是谚语最重要的文体规律,它使谚语具有原生性,区别于格言,格言是谚语的文学版本。意象在阿瓦尔的paremia中也是固有的,尽管它不是强制性的。想象迁移可以是转喻的,也可以是隐喻的。阿瓦尔语的韵律是由谚语和谚语的语义中心相似的声音组合的重复来表示的。尾韵并不是阿瓦尔语以及paremia的结构组织的特征。尾韵的缺失可以通过头韵(首韵)的广泛使用来弥补,在首韵中重复相同的辅音,从而增强了paremias的表现力。关键词:阿瓦尔语,谚语,结构基础,简洁,比喻,节奏,韵律,平行
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