Gernot Böhmes atmosfæreæstetik og vejrfænomenologi

Sune Frølund
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Abstract

The paper explores Gernot Bohme’s interpretation of the concept of atmosphere as an aesthetical concept of the natural environment, especially of the weather. Bohme takes over the concept of atmosphere from Hermann Schmitz’ body phenomenology in which human feelings are considered to be spatial atmospheres. Bohme integrates atmospheres into his phenomenology of nature by showing that they are bodily sensations of human’s mode of being in their environment. Based on this framework he sketches out a phenomenology of the weather, i.e. a theory of the connection of climate and our mode of being. The perspective of the paper is to employ Bohme’s work with atmospheres in environmental education in general, and, specifi cally, in education concerning climate change.
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本文探讨了Gernot Bohme对大气概念的解释,将其作为自然环境,特别是天气的美学概念。Bohme从Hermann Schmitz的身体现象学中继承了气氛的概念,在身体现象学中,人类的感觉被认为是空间气氛。Bohme将大气整合到他的自然现象学中,通过展示它们是人类在环境中存在模式的身体感觉。在这个框架的基础上,他勾勒出了天气的现象学,即气候和我们存在模式之间联系的理论。本文的观点是将Bohme的工作与环境教育中的气氛联系起来,特别是与气候变化有关的教育。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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