Reincarnation of Memory, or Portrait of Generation in the Interior of Time: “Children of the Milky Way” by Dokiia Humenna

V. Vasylenko
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Abstract

The paper analyzes the tetralogy of novels by Dokiia Humenna “Children of the Milky Way” in the context of the postwar Ukrainian diaspora fiction. The researcher raises such issues as the genre nature, narrator’s position, problem of the relationship between the categories of time and space, and the alternative autobiography of the novel. The process of writing the novel is considered as an attempt to normalize the writer’s own traumatic experience, caused by two decades of totalitarian terror and repressions. Dokiia Humenna’s novel is regarded in the context of such genres as family chronicle and ‘novel of generations’, which was updated in Ukrainian literature of the post-war period as an attempt to overcome the threatening tendencies of the entropy. At the same time, considering the fact that the novel was written on the verge of fiction and documentaries, the researcher suggested reviewing the work in the context of testimonial literature. It is emphasized that ideas of generational consciousness and generational dimension of time shape the novel, and the concept of generation is associated with categories of ancestry, memory, trauma, and identity. The generation of Ukrainian 1920s, which Dokiia Humenna considers as her own, emerges in the novel as a complex and heterogeneous socio-cultural phenomenon, represented by historical fi gures that became symbols and signs of their time (Mykola Khvylovyi, Mykola Zerov, and others), by literary stories of their alter ego, and fictional characters, sometimes based on several real prototypes. The myth of primordialism is one of the most important in the novel. It is represented by the archetype of a hamlet, a patriarchal micromodel of Ukraine, traditional in classical Ukrainian literature. In addition, the author of the paper raised a question about the presence of the writer’s alternative autobiographies in the novel, which might be the ways of constructing her own identity.
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记忆的轮回,还是时间内部世代的肖像:多基亚·胡门纳的《银河系的孩子》
本文以战后乌克兰流散小说为背景,分析了多基娅·胡门娜小说《银河之子》的四部曲。研究者提出了小说的体裁性质、叙述者的立场、时空范畴的关系问题、小说的另类自传等问题。写作这部小说的过程被认为是试图使作者自己的创伤经历正常化,这些经历是由20年的极权主义恐怖和压迫造成的。Dokiia Humenna的小说被认为是在家庭编年史和“世代小说”等体裁的背景下进行的,这在战后乌克兰文学中被更新为克服熵的威胁趋势的一种尝试。与此同时,考虑到小说是在小说和纪录片的边缘写成的,研究人员建议从证言文学的角度来审视这部作品。作者强调,代际意识和代际时间维度的观念塑造了小说,代际概念与祖先、记忆、创伤和身份等类别有关。Dokiia Humenna认为乌克兰20世纪20年代的一代人是她自己的一代人,在小说中作为一种复杂和异类的社会文化现象出现,以成为他们时代象征和标志的历史人物(Mykola Khvylovyi, Mykola Zerov等)为代表,通过他们另一个自我的文学故事和虚构人物,有时基于几个真实原型。原始主义的神话是小说中最重要的神话之一。它以一个村庄的原型为代表,一个乌克兰的父权微观模型,传统的乌克兰古典文学。此外,作者对小说中作者的另类自传的存在提出了质疑,这可能是她构建自己身份的方式。
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