Una perspectiva de género a través de una sociedad matriarcal: la zarzuela La isla de San Balandrán

María Toledo Escobar
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Abstract

This article analyzes from a gender perspective what the zarzuela chica La isla de San Balandrán meant in the 19th century Spanish society. Taking into account the upside-down-world scenario (in this island women have the power and men don’t have either voice nor vote), it is interesting to initiate an investigation with regard to what this change of perspective meant to the critics and the audience, whether there was a change in society, or a seed was sown so that men could understand the limits to which women of the time were subjected. Through journal and magazine documents as well as the subsequent sequels that the piece left in some literary works, the evolution of collective thought will be traced as well as how little by little feminism was introduced in 19th century Spain.
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通过母系社会的性别视角:la zarzuela la isla de San balandran
本文从性别视角分析了zarzuela chica La isla de San Balandrán在19世纪西班牙社会中的意义。考虑到这个颠倒的世界场景(在这个岛上,女性拥有权力,而男性既没有发言权也没有投票权),发起一项关于这种视角变化对评论家和观众意味着什么的调查是很有趣的,是社会发生了变化,还是播下了一颗种子,让男性能够理解当时女性所受的限制。通过日记和杂志的文件,以及该作品在一些文学作品中留下的后续作品,可以追溯集体思想的演变,以及女权主义是如何在19世纪的西班牙一点点引入的。
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