Pub Date : 2021-09-13DOI: 10.25145/j.clepsydra.2021.21.10
Ariel Martínez
This article aims to reflect on that abject and unintelligible population strip based on someexpressions of the photographic itinerary of the Argentine artist and activist (from La Plata)Lariza Hatrick. Although her portraits capture daily moments of queer, lesbian and transvestiteexistence, we affirm that the relevance of her visual production refers to the possibility ofarousing a radical alterity that transcends the identity nominations that modern taxonomiesoffer as the only way to distribute recognition. By reviewing some photographs by ShirleyBombon (trava sudaca) it emphasizes the need to mainstream the queer perspective with acuir dimension: an attempt to rescue the critical dimension beyond the limit imposed bythe positivity of linguistic meanings. It is affirmed that artistic productions are capable ofsuggesting the power of the inarticulable, an indispensable area for the attitude of revoltand for the creation of the radically new.
{"title":"Existencias abyectas en el registro fotográfico de Lariza Hatrick: hacia una recuperación de la alteridad radical","authors":"Ariel Martínez","doi":"10.25145/j.clepsydra.2021.21.10","DOIUrl":"https://doi.org/10.25145/j.clepsydra.2021.21.10","url":null,"abstract":"This article aims to reflect on that abject and unintelligible population strip based on someexpressions of the photographic itinerary of the Argentine artist and activist (from La Plata)Lariza Hatrick. Although her portraits capture daily moments of queer, lesbian and transvestiteexistence, we affirm that the relevance of her visual production refers to the possibility ofarousing a radical alterity that transcends the identity nominations that modern taxonomiesoffer as the only way to distribute recognition. By reviewing some photographs by ShirleyBombon (trava sudaca) it emphasizes the need to mainstream the queer perspective with acuir dimension: an attempt to rescue the critical dimension beyond the limit imposed bythe positivity of linguistic meanings. It is affirmed that artistic productions are capable ofsuggesting the power of the inarticulable, an indispensable area for the attitude of revoltand for the creation of the radically new.","PeriodicalId":384984,"journal":{"name":"Clepsydra. Revista de Estudios de Género y Teoría Feminista","volume":"549 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116234290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-13DOI: 10.25145/j.clepsydra.2021.21.08
Daniela Fumis
Elizabeth Duval’s (Alcala de Henares, 2000) Reina (Caballo de Troya, 2020) is a powerfulintervention on the growing influx of first-person voices in current Spanish narrative. Theproposal of the present work supports as a hypothesis that the fictionalization of the self inReina works in order to problematize a crystallized public image. This problematization isproduced from the construction of a sustained self-configuration on a strategic nomadictriangulation, as a becoming-minor in three dimensions: sexual, generational and textual.In this sense, the transition from the first person to the second, in the figure of the “femalereader,” could finally be understood as an interrogation about the place of desire in thearticulation between literature and life.
{"title":"«Hagamos tabula rasa, si te parece». Políticas de localización y subjetividad nómade en Reina, de Elizabeth Duval","authors":"Daniela Fumis","doi":"10.25145/j.clepsydra.2021.21.08","DOIUrl":"https://doi.org/10.25145/j.clepsydra.2021.21.08","url":null,"abstract":"Elizabeth Duval’s (Alcala de Henares, 2000) Reina (Caballo de Troya, 2020) is a powerfulintervention on the growing influx of first-person voices in current Spanish narrative. Theproposal of the present work supports as a hypothesis that the fictionalization of the self inReina works in order to problematize a crystallized public image. This problematization isproduced from the construction of a sustained self-configuration on a strategic nomadictriangulation, as a becoming-minor in three dimensions: sexual, generational and textual.In this sense, the transition from the first person to the second, in the figure of the “femalereader,” could finally be understood as an interrogation about the place of desire in thearticulation between literature and life.","PeriodicalId":384984,"journal":{"name":"Clepsydra. Revista de Estudios de Género y Teoría Feminista","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132091071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-13DOI: 10.25145/j.clepsydra.2021.21.17
R. Osborne
{"title":"«Una chica rara»: reflexiones sobre Oculto sendero, de Elena Fortún","authors":"R. Osborne","doi":"10.25145/j.clepsydra.2021.21.17","DOIUrl":"https://doi.org/10.25145/j.clepsydra.2021.21.17","url":null,"abstract":"","PeriodicalId":384984,"journal":{"name":"Clepsydra. Revista de Estudios de Género y Teoría Feminista","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133932613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-09-13DOI: 10.25145/j.clepsydra.2021.21.15
Daniasa Curbelo
{"title":"Los bucios mudos y las esculturas bisexuadas: trans-gredir el pasado precolonial canario","authors":"Daniasa Curbelo","doi":"10.25145/j.clepsydra.2021.21.15","DOIUrl":"https://doi.org/10.25145/j.clepsydra.2021.21.15","url":null,"abstract":"","PeriodicalId":384984,"journal":{"name":"Clepsydra. Revista de Estudios de Género y Teoría Feminista","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125412657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.clepsydra.2021.21.06
Paula Fernández Hernández
{"title":"Escrituras del yo, escrituras de la nación: Facebook, literatura y activismo en Yolanda Arroyo Pizarro","authors":"Paula Fernández Hernández","doi":"10.25145/j.clepsydra.2021.21.06","DOIUrl":"https://doi.org/10.25145/j.clepsydra.2021.21.06","url":null,"abstract":"","PeriodicalId":384984,"journal":{"name":"Clepsydra. Revista de Estudios de Género y Teoría Feminista","volume":"133 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124255236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.clepsydra.2021.21.07
J. Hernández
At first level this essay focuses on bringing up the life of a Canarian transwoman and, at a second, it concentrates on reconciling two colonial discourses. This essay starts by drawing a small draft on the life of Rosario Miranda, as a trans woman in rural Tenerife. This section is complemented by a brief introduction that aims to contextualize the LGTBQ+ scene in post-Franco Canaries. At the same time, we pose a brief analysis that pinpoints common experiences between Rosario and the hijra community through an iconoclastic analysis that brings together the images of Bahuchara Mata and la virgen de los Remedios. Drawing on the decolonial writing of María Lugones (2010), our final discussion presents a series of subversive possibilities that result from the performative dynamics within the gender binary paradigm.
在第一个层面上，这篇文章的重点是提出一个加那利跨性别女人的生活，在第二个层面上，它集中在调和两种殖民话语。这篇文章从罗萨里奥·米兰达的生活开始，她是特内里费农村的一个变性女人。本节附有一个简短的介绍，旨在将后佛朗哥时代加那利的LGTBQ+场景语境化。与此同时，我们提出了一个简短的分析，通过将Bahuchara Mata和la virgen de los Remedios的图像结合在一起的反传统分析，找出罗萨里奥和海吉拉社区之间的共同经历。借鉴María lugoones(2010)的非殖民化写作，我们最后的讨论呈现了一系列颠覆性的可能性，这些可能性来自性别二元范式中的表演动态。
{"title":"La virgen de los Remedios conoce a Bahuchara Mata: transfeminismo descolonial a través de la biografía de Rosario Miranda y otras experiencias hijras","authors":"J. Hernández","doi":"10.25145/j.clepsydra.2021.21.07","DOIUrl":"https://doi.org/10.25145/j.clepsydra.2021.21.07","url":null,"abstract":"At first level this essay focuses on bringing up the life of a Canarian transwoman and, at a second, it concentrates on reconciling two colonial discourses. This essay starts by drawing a small draft on the life of Rosario Miranda, as a trans woman in rural Tenerife. This section is complemented by a brief introduction that aims to contextualize the LGTBQ+ scene in post-Franco Canaries. At the same time, we pose a brief analysis that pinpoints common experiences between Rosario and the hijra community through an iconoclastic analysis that brings together the images of Bahuchara Mata and la virgen de los Remedios. Drawing on the decolonial writing of María Lugones (2010), our final discussion presents a series of subversive possibilities that result from the performative dynamics within the gender binary paradigm.","PeriodicalId":384984,"journal":{"name":"Clepsydra. Revista de Estudios de Género y Teoría Feminista","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116082970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.clepsydra.2023.24.05
R. López-González, Elia Saneleuterio, María Alcantud-Díaz
Fairy tales have been transforming their ways of dissemination from oral transmission to audiovisual one. One of the traditional female characters is Snow White, whose construction is analyzed in this article from the perspective of diversity: different types are taken into account: physical, psychological, ethnic, religious, family, cultural, socioeconomic, functional, sexual, and age; all of them traversed by gender. Additionally, this character is put into dialogue mainly with the construction of her antagonist. The corpus, which starts from the first known printed version (Grimm brothers), addresses the Disney film (1937) and two 21st-century animated films: Shrek the Third (2007) and Happily N’Ever After 2 (2009). The results show that the protagonists and their conflicts –between mothers and daughters, between childhood and puberty, etc.– have been represented in different ways only in some of the fields, but always offering a gender perspective conditioned by the society of the moment.
{"title":"La diversidad de representaciones de Blancanieves en el cine de animación (1937-2009)","authors":"R. López-González, Elia Saneleuterio, María Alcantud-Díaz","doi":"10.25145/j.clepsydra.2023.24.05","DOIUrl":"https://doi.org/10.25145/j.clepsydra.2023.24.05","url":null,"abstract":"Fairy tales have been transforming their ways of dissemination from oral transmission to audiovisual one. One of the traditional female characters is Snow White, whose construction is analyzed in this article from the perspective of diversity: different types are taken into account: physical, psychological, ethnic, religious, family, cultural, socioeconomic, functional, sexual, and age; all of them traversed by gender. Additionally, this character is put into dialogue mainly with the construction of her antagonist. The corpus, which starts from the first known printed version (Grimm brothers), addresses the Disney film (1937) and two 21st-century animated films: Shrek the Third (2007) and Happily N’Ever After 2 (2009). The results show that the protagonists and their conflicts –between mothers and daughters, between childhood and puberty, etc.– have been represented in different ways only in some of the fields, but always offering a gender perspective conditioned by the society of the moment.","PeriodicalId":384984,"journal":{"name":"Clepsydra. Revista de Estudios de Género y Teoría Feminista","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122508853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.clepsydra.2021.21.04
Carlos Alayón Galindo
{"title":"El monstruo humano. El yo homosexual en El amor del revés (2016), de Luisgé Martín","authors":"Carlos Alayón Galindo","doi":"10.25145/j.clepsydra.2021.21.04","DOIUrl":"https://doi.org/10.25145/j.clepsydra.2021.21.04","url":null,"abstract":"","PeriodicalId":384984,"journal":{"name":"Clepsydra. Revista de Estudios de Género y Teoría Feminista","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116852854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.clepsydra.2023.24.02
P. Ryan, A. Danet Danet
This article explores how women’s sexuality has played a central role in building and reproducing the collective identity of the nation in two countries, Ireland and Spain. It argues how a nationalisation of women’s bodies created a symbolic and idealised version of womanhood, reinforced by a complex infrastructure of criminal code, places of rehabilitation and a system of surveillance operating through government, medical and religious institutions. We explore these processes through an analysis of the discourses governing prostitution in leading newspapers between 1939 and 1975, corresponding to the public nation-building projects to Catholic nationalism through the idealisation of family, motherhood and domestic life. Three key discourses from the newspaper coverage have been identified around prostitution: protecting the national body, the exile of women in prostitution and ordinary women as a threat, to trace the process of renewed nation building that occurred in both countries from the 1940s onwards.
{"title":"Nationalising Women’s Bodies: Discourse and Politics of Prostitution in Ireland and Spain","authors":"P. Ryan, A. Danet Danet","doi":"10.25145/j.clepsydra.2023.24.02","DOIUrl":"https://doi.org/10.25145/j.clepsydra.2023.24.02","url":null,"abstract":"This article explores how women’s sexuality has played a central role in building and reproducing the collective identity of the nation in two countries, Ireland and Spain. It argues how a nationalisation of women’s bodies created a symbolic and idealised version of womanhood, reinforced by a complex infrastructure of criminal code, places of rehabilitation and a system of surveillance operating through government, medical and religious institutions. We explore these processes through an analysis of the discourses governing prostitution in leading newspapers between 1939 and 1975, corresponding to the public nation-building projects to Catholic nationalism through the idealisation of family, motherhood and domestic life. Three key discourses from the newspaper coverage have been identified around prostitution: protecting the national body, the exile of women in prostitution and ordinary women as a threat, to trace the process of renewed nation building that occurred in both countries from the 1940s onwards.","PeriodicalId":384984,"journal":{"name":"Clepsydra. Revista de Estudios de Género y Teoría Feminista","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128500336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 1900-01-01DOI: 10.25145/j.clepsydra.2022.22.07
F. Pacífico
This article proposes an ethnographic analysis of collective organization processes generated around care in popular sectors, specifically analyzing the practices of women who are members of cooperatives and participate in social programs training spaces. Based on an ethnographic research developed with women beneficiaries of «Ellas Hacen» social program (Argentina), we interrogate the meanings and practices toward care built by these women, showing the centrality of collective practices in tension with familiaristic and maternalistic models of care. Recovering contributions from feminist economics and from an anthropological and ethnographic perspective on the collective, we show that these dynamics of care allow to rethink the limits between the autonomous/ dependent population or public/private spheres. We argue in favor of inquiring in the boundaries between care of others and self-care, interrogating what is produced during the process of caring
{"title":"Entre mujeres «pulpo» y el desarrollo de formas de (auto)cuidado. Etnografía de cuidados colectivos y experiencias de mujeres titulares de programas sociales","authors":"F. Pacífico","doi":"10.25145/j.clepsydra.2022.22.07","DOIUrl":"https://doi.org/10.25145/j.clepsydra.2022.22.07","url":null,"abstract":"This article proposes an ethnographic analysis of collective organization processes generated around care in popular sectors, specifically analyzing the practices of women who are members of cooperatives and participate in social programs training spaces. Based on an ethnographic research developed with women beneficiaries of «Ellas Hacen» social program (Argentina), we interrogate the meanings and practices toward care built by these women, showing the centrality of collective practices in tension with familiaristic and maternalistic models of care. Recovering contributions from feminist economics and from an anthropological and ethnographic perspective on the collective, we show that these dynamics of care allow to rethink the limits between the autonomous/ dependent population or public/private spheres. We argue in favor of inquiring in the boundaries between care of others and self-care, interrogating what is produced during the process of caring","PeriodicalId":384984,"journal":{"name":"Clepsydra. Revista de Estudios de Género y Teoría Feminista","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123948863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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