Arrullo queer: patrimonio, performatividad de género y diversidad sexual en las músicas de marimba y los cantos y bailes tradicionales del Pacífico sur colombiano

Abstract

: The purpose of this article is to analyze the intersections between the spaces of deployment of the cultural traditions of the Colombian South Pacific, associated with the heritage of marimba music and the region’s traditional songs and dances, and the LGBTQ+ subjects who embody and enact them in their daily lives. How are the particular life experiences of these self-recognized LGBTQ+ subjects articulated with the reproduction and performatization of these cultural traditions? How is this gender diversity strained and negotiated in such spaces? What does the notorious invisibi-lization of gender diversity in intangible cultural heritage studies tell us? What contributions