The Para-Worlds of Lesley Nneka Arimah’s: What It Means When a Man Falls from the Sky

Delali Kumavie
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Abstract

Abstract:This essay argues that Lesley Nneka Arimah’s collection of short stories, What It Means When a Man Falls from the Sky, evokes paraworlds that reveal and contend with the world and its norms. Examining the collection’s entwinement of magical, mythical, and animist modes with science, technology, and innovation, the essay shows how Arimah’s work creates its own metagenre, which functions as a paranormal frame that disrupts the common sense of existing interpretive frameworks of progress and difference. The paranormal in Arimah’s work is a space where the illegible significance of Blackness exists. These para-worlds, the essay contends, are paranormal because they function as parallel, ancillary, and barricading structures that reveal the spatial and temporal continuums that order the world. Viewing the norm as the world-constituting structures instantiated in 1492, the essay contends that Arimah’s para-world functions as a continuum to reveal the ever-present structures of violence.
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Lesley Nneka Arimah的平行世界:当一个人从天上掉下来意味着什么
摘要:本文认为Lesley Nneka Arimah的短篇小说集《当一个人从天上掉下来意味着什么》唤起了对世界及其规范的揭示和抗争的超世界。通过考察这部文集中魔法、神话和万物有灵论模式与科学、技术和创新的相互交织,本文展示了Arimah的作品是如何创造自己的元环境的,它作为一个超自然的框架,打破了现有的关于进步和差异的解释框架的常识。Arimah作品中的超自然现象是一个存在着难以辨认的黑色意义的空间。这篇文章认为,这些超世界是超自然的,因为它们是平行的、辅助的、屏障式的结构,揭示了秩序世界的空间和时间连续体。将规范视为1492年实例化的构成世界的结构,本文认为,Arimah的超世界作为一个连续体,揭示了永远存在的暴力结构。
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