Métamorphoses du poète dans « Le Poète assassiné » d’Apollinaire : Apollon et Orphée, oursin et laurier

G. Rousseau
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Abstract

This article focuses on the figure of the poet in Apollinaire’s « Le Poète assassiné ». We try to show the connections that are established between loss and poetic glory. In the tale, the hero, Croniamantal, becomes successively Apollo and Orpheus. As in Ovid’s Metamorphoses, he is going to lost his beloved (story of Apollo and Daphne) before being slaughtered (the death of Orpheus). To reach glory, the poet has to sacrifice everything including himself.
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阿波利奈尔的《被谋杀的诗人》中诗人的变形:阿波罗和俄耳甫斯,海胆和劳里埃
本文着重分析了阿波利奈尔的《暗杀者》中诗人的形象。我们试图展示失落与诗意荣耀之间的联系。在这个故事中,主人公克罗尼亚曼塔尔先后变成了阿波罗和俄耳甫斯。就像在奥维德的《变形记》中一样,他在被屠杀(俄耳甫斯之死)之前将失去他的爱人(阿波罗和达芙妮的故事)。为了达到荣耀,诗人必须牺牲一切,包括他自己。
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La figure du labyrinthe entre philosophie, art et littérature Littérature labyrinthique entre texte et sexe dans Journal sexuel d’un garçon d’aujourd’hui d’Arthur Dreyfus Annelies Schulte Nordholt, Georges Perec et ses lieux de mémoire. Le projet de Lieux, Leyde, Brill, coll. « Faux Titre », 2022, 268 p. Ut pictura poesis. From One plus One to the « Godardesques » in contemporary aesthetics L’enquête dans le récit contemporain, une représentation esthétique du labyrinthe
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