Pub Date : 2024-03-22DOI: 10.4467/23538953ce.24.002.19416
J. Prince
The infinite merging with the finite: the labyrinthine poetics of Henri Michaux This paper examines how the figure of the labyrinth helps us to grasp the particular writing of Henri Michaux. Based on a reading of Déplacements, dégagements, it will show how the aesthetic experience of wandering arises from compositional processes of the multiple. This double perspective, both poetic and aesthetic, allows us to grasp the specificity of labyrinthine wandering, which suggests the infinite within a structure that is however finite. It is not the absence of any signification, but the multiplication and proliferation of significant data, that produces wandering. Confronted with this multiplicity, the reader is not confined to a passive state of reception, but actively projects a trajectory in order to give meaning on all his perceptual details, even if this meaning remains unstable.
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Pub Date : 2024-03-22DOI: 10.4467/23538953ce.24.003.19417
Marc Vandersmissen
Labyrinthine Literature between Text and Sex in Journal sexuel d'un garçon d'aujourd’hui by Arthur Dreyfus In Journal sexuel d’un garçon d’aujourd'hui, Arthur Dreyfus records his sexual experiences over several years. But he doesn’t limit himself to recounting his sexual intimacy; he also writes down some of his thoughts on other areas, such as relationships, writing and psychoanalysis. He generally proceeds in short narratives that can take different forms (anecdotes, poems, letters...) and are brought together to form a work of over 2000 pages. The reader is thus led into the author’s systems of thought. The aim of this article is to highlight the labyrinthine construction of this work: first, we’ll see how the Journal is the result of a search for identity. Next, we’ll look at how this work proposes a new form of intertextuality. Finally, we look at the form of the Journal and its impact on the reader. In this way, we offer the first keys to reading a complex but powerful work.
阿瑟-德雷福斯在《今日少年性爱日志》（Journal sexuel d'un garçon d'aujourd'hui by Arthur Dreyfus）中文字与性之间的迷宫文学阿瑟-德雷福斯在《今日少年性爱日志》（Journal sexuel d'un garçon d'aujourd'hui by Arthur Dreyfus）中记录了他数年来的性经历。但他并不局限于叙述自己的性亲密关系，他还写下了自己在其他方面的一些想法，如人际关系、写作和精神分析。他通常以简短的叙述方式进行创作，这些叙述可以采取不同的形式（轶事、诗歌、书信......），最后汇集成一部 2000 多页的作品。读者由此进入作者的思想体系。本文旨在突出这部作品迷宫般的结构：首先，我们将看到《日刊》是如何寻找身份的结果。其次，我们将探讨这部作品如何提出一种新的互文性形式。最后，我们将探讨《日刊》的形式及其对读者的影响。这样，我们就为阅读这部复杂而强大的作品提供了第一把钥匙。
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Pub Date : 2024-03-22DOI: 10.4467/23538953ce.24.005.19419
Emanuelle Laboureyras
Investigation in contemporary narrative : an aesthetic representation of the labyrinth Contemporary narrative features a number of investigative authors who are part of a dynamic of inquiry : investigations in archives, both genealogical and judicial, field research, testimony gathering, trial chronicles. The labyrinth motif not only blurs the lines of enquiry, demonstrating how difficult it is to grasp reality, but also renews the territories of fiction and non-fiction. In this article, we show how contemporary authors engaged in a quest for missing persons or the unveiling of a truth, use the labyrinth motif in their investigative narratives. The labyrinth motif expresses the complexity of the investigations carried out by the authors in their role as investigators. In this way, the labyrinth becomes a metaphor for the authors' creative work, in contact with past and present time.
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Pub Date : 2024-03-22DOI: 10.4467/23538953ce.24.004.19418
Małgorzata Sokołowicz
« Wandering is my heritage » The Labyrinth as a Figure of the Postcolonial Experience According to Enfants du lichen by Maya Cousineau Mollen The aim of the paper is to analyze Enfants du lichen, a book of poems by Maya Cousineau Mollen, an Innu poet born in 1975, in order to see if the labyrinth can be considered as a figure of the postcolonial Native American experience. Although the word « labyrinth » does not make its explicit emergence in the poems, their lexical field evokes a whole imagination which makes it emerge implicitly and allows us to believe that the figure of the labyrinth corresponds to the situation of the former colonized. Our contribution is divided into three parts. The first characterizes the postcolonial Native American experience, as described in the poems, and explains why it may be seen as a labyrinth. The second shows the exploration of the paths of possible escape and the last focuses on the exit, the « passage from darkness to light », which can be read as a new era in the life of Canadian Native Americans.
"本文旨在分析 1975 年出生的因努族诗人玛雅-库西诺-莫伦（Maya Cousineau Mollen）的诗集《Enfants du lichen》（《Enfants du lichen》），以探讨是否可以将迷宫视为后殖民时期美国原住民经历的一个形象。虽然 "迷宫 "一词在诗歌中没有明确出现，但其词汇领域唤起了人们的整体想象力，使其隐约出现，并让我们相信迷宫的形象与前殖民者的处境相吻合。我们的贡献分为三个部分。第一部分描述了诗歌中描述的后殖民时期美国原住民的经历，并解释了为什么可以将其视为一个迷宫。第二部分展示了对可能的逃亡之路的探索，最后一部分侧重于出口，即 "从黑暗走向光明"，这可以被解读为加拿大美洲原住民生活中的一个新时代。
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Pub Date : 2024-03-22DOI: 10.4467/23538953ce.24.001.19415
Diego Scalco
The Figure of the Labyrinth between Philosophy, Art and Literature The aim of this article is to draw analogies between the Prisons by Piranesi and The Castle by Franz Kafka in the light of the figure of the labyrinth. In these specific cases, the architectonics (as a pseudo- arrangement of perspective planes) and the plot (as a factitious connection between action sequences) enclose the illusion of depth and the impression of duration in the vicious circles of the lines of rupture and of the missed events, respectively. The Piranesian atopic topic (from atopos, « out of place ») and the Kafkaesque apraxic practice (from apraktos, « inconclusive ») are both based on unsurpassable antinomies and, in this particular respect, seem to revive Zeno of Elea’s paradoxes of motion and Diodorus Cronus’ aporia of becoming, which Gottfried W. Leibniz considers to be two labyrinths.
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Pub Date : 2024-03-22DOI: 10.4467/23538953ce.24.007.19421
Jagoda Kryg
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Pub Date : 2024-03-22DOI: 10.4467/23538953ce.24.006.19420
Kamil Lipiński
The article deals with Jean-Luc Godard's interventions in the multimedia arts, known as « fraternal arts », and ut pictura poesis to reconsider the audiovisual juxtaposition of fiction and documentary in the late sixties and « cinema effects » in contemporary art installations. It retraces some of the main elements of the film One plus One directed by Jean-Luc Godard and addresses its role and importance in the clandestine nature of artistic creation by revealing the interconnections between « musical history in the making » and the aesthetics of graffiti, Brechtian quote, and distancing (Verfremdungseffekt). In the second part, the essay draws on Burgin and Dubois to examine how so-called « Godardesques » emerges in the context of contemporary museum installations. By approaching artistic works, our wish is to reveal the forms of reconstitution of the Godardian One plus One. These works loosely linked to classical cinema can be considered, following Burgin, as cinematic heterotopias.
文章论述了让-吕克-戈达尔对多媒体艺术（被称为 "兄弟艺术"）的干预，并通过 Ut pictura poesis 重新思考了 60 年代后期小说与纪录片的视听并置以及当代艺术装置中的 "电影效果"。文章追溯了让-吕克-戈达尔（Jean-Luc Godard）执导的电影《一加一》（One plus One）中的一些主要元素，并通过揭示 "创作中的音乐史 "与涂鸦美学、布莱希特式引用和疏离（Verfremdungseffekt）之间的相互联系，探讨了该电影在艺术创作的秘密性中的作用和重要性。文章的第二部分借鉴了伯金和杜波依斯的观点，探讨了所谓的 "戈达尔式 "是如何在当代博物馆装置艺术中出现的。我们希望通过艺术作品来揭示 "戈达尔式一加一 "的重构形式。这些与经典电影有松散联系的作品可被视为电影异托邦，与伯金如出一辙。
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Pub Date : 2023-06-30DOI: 10.4467/23538953ce.23.017.17934
Agata Sadkowska-Fidala
In his short novel published before À Rebours, entitled À vau-l’eau, Huysmans tells a story of a protagonist unable to find good food. His quest for a passable restaurant remains unfulfilled, and joins other unfulfilled needs linked to his social life. It becomes clear that behind this quest, told with numerous details and a significant emphasis, there are other, more profound needs that Huysmans will name, more and more directly, in his post-naturalist novels. At the deepest level, the quest comes down to the impossibility to accept life’s difficulties, its duality, and to the wound of an unhappy childhood and a lost mother, so little named and therefore so present in Huysmans’ works.
{"title":"Satisfaire sa faim : destin, dessein et vocation dans À vau l’eau de Joris-Karl Huysmans","authors":"Agata Sadkowska-Fidala","doi":"10.4467/23538953ce.23.017.17934","DOIUrl":"https://doi.org/10.4467/23538953ce.23.017.17934","url":null,"abstract":"In his short novel published before À Rebours, entitled À vau-l’eau, Huysmans tells a story of a protagonist unable to find good food. His quest for a passable restaurant remains unfulfilled, and joins other unfulfilled needs linked to his social life. It becomes clear that behind this quest, told with numerous details and a significant emphasis, there are other, more profound needs that Huysmans will name, more and more directly, in his post-naturalist novels. At the deepest level, the quest comes down to the impossibility to accept life’s difficulties, its duality, and to the wound of an unhappy childhood and a lost mother, so little named and therefore so present in Huysmans’ works.","PeriodicalId":133418,"journal":{"name":"Cahiers ERTA","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114459745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-06-30DOI: 10.4467/23538953ce.23.018.17935
Anita Staroń
What is Rachilde’s vocation? Could her life have taken another course rather than the literary way? According to what she declares in her autobiographical or semi-autobiographical texts, it turns out that this profession, chosen consciously in her early years, had saved her from madness. Drawing inspiration from the psychoanalytical observations contained in Catherine Millot’s book La Vocation de l’écrivain, the present study attempts to establish the sources of the literary career chosen by Rachilde, her own ways of exercising it and the point of achievement that she could reach by accomplishing certain choices. For Rachilde, there is no enjoyment outside of writing.
拉契尔德的职业是什么?她的人生是否会走上另一条道路，而不是文学之路?根据她在自传体或半自传体文本中所宣称的，事实证明，这一职业是她早年有意识地选择的，使她免于发疯。从凯瑟琳·米洛(Catherine Millot)的著作《La Vocation de l’》(La Vocation de l’)中所包含的精神分析观察中获得灵感，本研究试图确定拉契尔德选择文学生涯的来源，她自己的实践方式，以及她通过完成某些选择可以达到的成就点。对拉契尔德来说，写作之外没有任何乐趣。
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Pub Date : 2023-06-30DOI: 10.4467/23538953ce.23.012.17929
G. Rousseau
This article focuses on the figure of the poet in Apollinaire’s « Le Poète assassiné ». We try to show the connections that are established between loss and poetic glory. In the tale, the hero, Croniamantal, becomes successively Apollo and Orpheus. As in Ovid’s Metamorphoses, he is going to lost his beloved (story of Apollo and Daphne) before being slaughtered (the death of Orpheus). To reach glory, the poet has to sacrifice everything including himself.
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