Analyses of Character Emotions in Dramatic Works by Using EmoLex Unigrams

Mehmet Can Yavuz
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引用次数: 6

Abstract

In theatrical pieces, written language is the primary medium for establishing antagonisms. As one of the most important figures of renaissance, Shakespeare wrote characters which express themselves clearly. Thus, the emotional landscape of the plays can be revealed from the texts. It is important to analyze such landscapes for further demonstrating these structures. We use word-emotion association lexicon with eight basic emotions (anger, fear, anticipation, trust, surprise, sadness, joy, and disgust) and two sentiments (negative and positive). By using this lexicon, the emotional state of each character is represented in 10 dimensional space and mapped onto a plane. This principle axes planes position each character relatively. Additionally, tempora-emotional evaluation of each play is graphed. We conclude that the protagonist and the antagonist have different emotional states from the rest and these two emotionally oppose each other. Temporal-Emotional timeline of the plays are meaningful to have a better insight into the tragedies.
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运用EmoLex图形分析戏剧作品中的人物情感
在戏剧作品中,书面语言是建立对抗的主要媒介。作为文艺复兴时期最重要的人物之一,莎士比亚笔下的人物表达清晰。因此,戏剧的情感景观可以从文本中揭示出来。分析这些景观对于进一步展示这些结构是很重要的。我们使用的词-情绪关联词汇有八种基本情绪(愤怒、恐惧、期待、信任、惊讶、悲伤、快乐和厌恶)和两种情绪(消极和积极)。通过使用这个词汇,每个角色的情感状态在10维空间中被表示,并映射到一个平面上。这个原理轴平面相对地定位每个角色。此外,每个剧本的时间-情感评价被绘制成图表。我们得出结论,主人公和反派的情绪状态不同于其他人,两者在情感上是对立的。戏剧的时间-情感时间线对于更好地理解悲剧具有重要意义。
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