Reclaiming the Heroes and Heroic Attitudes of Classic Westerns: Open Range (2003)

John White
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Abstract

This chapter discusses the way in which the cinematography in Open Range (2003) reveres and mythologises both the rolling prairie landscape and the cowboy on horseback. What is on offer is the American idyll, the environmental embodiment of the quintessence of Americanism, a mythic space offering the promise of individual fulfilment guaranteed to U.S. citizens within the country’s shared national identity. Open Range is an attempt to return to the surface certainties of Westerns made prior to heavy U.S. involvement in the Vietnam War. When the idyll is threatened good men – and one man in particular who understands the necessity of the unavoidable brutality required in these situations – need to step up to restore order and re-establish a space within which civilised values can be restored.
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重拾经典西部片中的英雄与英雄态度:《荒野》(2003)
这一章讨论了《开放的牧场》(2003)的电影摄影是如何尊崇和神话化起伏的草原景观和马背上的牛仔的。它提供的是美国的田园牧歌,是美国精神精髓的环境体现,是一个神话般的空间,在这个国家共同的民族认同中,为美国公民提供了保证个人实现的承诺。《开放的牧场》试图回归美国大举卷入越南战争之前西部片表面上的确定性。当田园牧歌受到威胁时,好人- -特别是一个了解在这种情况下所需要的不可避免的暴行的必要性的人- -需要加紧恢复秩序,重新建立一个可以恢复文明价值的空间。
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Living in a World of Fear and Inexplicable Evil: The Assassination of Jesse James by the Coward Robert Ford (2007)1 Restoring the Western Hero and Reclaiming the Classic Hollywood Experience: True Grit (2010) Defending Home, Defending Homeland: Jane Got a Gun (2016) Reclaiming the Heroes and Heroic Attitudes of Classic Westerns: Open Range (2003) Affect and the Immersive Experience of Bodily Excess: The Revenant (2015)
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