Gözetim Akışı: Byung-Chul Han’ın Disiplin Toplumu Eleştirisi Olarak Performans Toplumu ve Kültürel İklimlendirme

Anıl Durmuşahmet
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引用次数: 1

Abstract

Byung-Chul Han, one of the most influential philosophers and theorists of recent times, discusses the relationship between culture and power and revises the concept of disciplinary society. Grounding this revision on the concepts of performance and transparency in particular, Han has followed an approach close to that of Foucault. According to Foucault, the powers construct the subject through the concepts he calls dispositive, and this construction is inured to the subject through experiences. While dispositives gain importance as a recipe for making subjectivity meaningful in late capitalist societies, they are utilized by different theorists in their social readings as guiding tools. Han chooses the concept of surveillance as a dispositive in his works, Abstract Byung-Chul Han, a thinker who deals with today’s cultural changes, just as Foucault dealt with cultural climate changes, interprets the society in his various texts through the surveillance dispositive in particular. According to Foucault, the concept of dispositive marks strategies on the way to the subject, which is built through subjective experiences. Dispositive is everything that captures, determines, models, and controls a living being, in other words, everything that constructs the living being in the name of the power. According to Han, the task of the surveillance dispositive (function of building the culture) is still valid. The body-controlling, disciplinary technologies developed in the 20th century to ensure the security of society have now turned into transparentizing technologies that allow a society to feel free. Han, who defines the 21st-century society as a performance or fatigue society, interprets the new social dynamics with his concepts. Han points out a new cultural process in particular that has emerged around developing technologies. field the Han’s flow is in a state power to some of psychoanalysis while he prefers the concepts of performance and transparency as a power technique. The study aims to discuss Han's revision of the concept of disciplinary society within the context of the cultural acclimatization applied by powers on the subject, using the interpretivist technique from qualitative research methods. According to political psychology, which has sprung from the intersection of politics and psychology, culture is functionalized by powers to exert an acclimatization effect on society. Ideologies pass to the subjects through the acclimatization that occurs at the moments of encounter and spread through the interaction. In the context of this study, the timeline on social media, which implicates surveillance flow, is considered a suitable place for cultural acclimatization to be carried out by spreading ideologies. According to the data obtained in the study, in today's post-modern society, the powers have primarily switched to a performance-based paradigm from a discipline-based one. Powers build a palliative society that has repressed its sufferings, that aims not only to rehabilitate the bodies but also to control the minds, that encourages the individual to continue their performance despite getting tired, and thus a society that keeps the belief alive that there are happy subjects.
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韩秉哲是近代最有影响力的哲学家和理论家之一,他讨论了文化与权力的关系,并修正了纪律社会的概念。这一修正尤其以表现和透明的概念为基础,韩遵循了一种接近福柯的方法。根据福柯的观点,权力通过他称之为支配性的概念来建构主体,而这种建构是通过经验来适应主体的。虽然否定性作为一种使主体性在晚期资本主义社会中变得有意义的方法而变得重要,但它们被不同的理论家在他们的社会解读中用作指导工具。韩秉哲是一位处理当今文化变迁的思想家,正如福柯处理文化气候变化一样,他在自己的各种文本中特别通过监视处理来解释社会。在福柯看来,支配性概念在通往主体的道路上标记着策略,而主体是通过主观经验建立起来的。支配性是一切捕捉、决定、塑造和控制生物的东西,换句话说,一切以权力的名义建构生物的东西。根据韩的说法,监督的决定性任务(建设文化的功能)仍然有效。20世纪为确保社会安全而发展起来的控制身体和纪律的技术,现在已经变成了让社会感到自由的透明技术。他将21世纪社会定义为“表演社会”或“疲劳社会”,用他的概念诠释了新的社会动态。韩特别指出了围绕技术发展而出现的一种新的文化过程。对一些精神分析来说,汉的流动是一种国家权力,而他更喜欢表演和透明的概念作为一种权力技术。本研究旨在运用质性研究方法中的解释主义技术,探讨在权力对主体的文化适应背景下,韩寒对规训社会概念的修正。政治心理学是政治学与心理学的交叉学科,它认为文化被权力功能化,从而对社会产生适应作用。意识形态通过相遇时的适应传递给主体,并通过互动传播。在本研究的背景下,社交媒体上的时间轴隐含着监控流量,被认为是通过传播意识形态来进行文化适应的合适场所。根据研究获得的数据,在后现代社会中,权力主要从以纪律为基础的范式转向以绩效为基础的范式。权力建立了一个缓和的社会,它压抑了人们的痛苦,它的目标不仅是恢复身体,而且是控制思想,它鼓励个人即使感到疲倦也要继续他们的表现,从而建立了一个让人们相信有幸福的社会。
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