Elegant Tosakin Goldfish showcased in a Batik Shawl

Bunga Amelia
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Abstract

The Tosakin Goldfish, a unique Japanese variety known for its horizontally spread tail fin, is relatively unknown outside of Japan. Due to the limited information available, breeding and caring for these fish is considered challenging, resulting in few breeders. To promote awareness and understanding of the Tosakin Goldfish, artists have incorporated its image into batik shawls, using distilled waterlily plants and stones. The project, titled "Gemulai Tosakin Goldfish in Selendang Batik," aims to showcase the beauty and essence of the fish through five batik scarfs named "The Swaying Tail of Tosakin Goldfish on Batik Scarfs." The artistic process follows A.A.M. Djelantik's aesthetic approach, focusing on harmonizing form, context, and presentation. S.P. Gutami's theory of three stages and six steps guides the artwork creation process. The chosen technique, Colet Tempel, is rarely utilized in the batik industry, providing an opportunity to expand knowledge within the community. The scarves depict the Tosakin Goldfish amidst a background resembling a tranquil pond, complete with leaves, budding waterlilies, and pebbles. This artwork is expected to inspire and educate society, educational institutions, and the textile craft sector, paving the way for further exploration and appreciation.
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优雅的托金金鱼在蜡染披肩中展示
托金金鱼是一种独特的日本品种,以其水平伸展的尾鳍而闻名,在日本以外相对不为人知。由于可获得的信息有限,养殖和照顾这些鱼被认为是具有挑战性的,导致很少有饲养者。为了提高人们对托萨金金鱼的认识和理解,艺术家们用蒸馏过的睡莲植物和石头将它的形象融入蜡染披肩中。该项目名为“色莲堂蜡染中的Gemulai Tosakin金鱼”,旨在通过5条名为“蜡染围巾上的Tosakin金鱼摇摆的尾巴”的蜡染围巾,展示鱼的美丽和本质。艺术过程遵循A.A.M. Djelantik的美学方法,专注于协调形式、环境和表现。S.P. Gutami的三阶段六步骤理论指导了艺术品的创作过程。所选择的Colet Tempel技术很少在蜡染工业中使用,这为在社区内扩展知识提供了机会。这些围巾描绘了托萨金金鱼,背景类似于一个宁静的池塘,上面有树叶、含苞欲放的睡莲和鹅卵石。这幅作品有望启发和教育社会、教育机构和纺织工艺部门,为进一步的探索和欣赏铺平道路。
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