‘A Common Platform’: Male Contributors and Cross-Gender Collaboration

C. Clay
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Abstract

This chapter examines another key element in Time and Tide’s rebranding as a more general-audience weekly review: the increase of male writers within its contributor base. Early accounts of the periodical suggest that this shift in the early 1930s represents a weakening of Time and Tide’s feminism. However, this chapter argues that the signatures of male contributors including George Bernard Shaw, St John Ervine and Wyndham Lewis were strategically deployed to advertise the paper beyond its core readership; it also considers the uses of anonymity for women who continued to occupy key editorial and staff positions. Discussing the contributions of Time and Tide’s youngest director, Winifred Holtby, as well as parodies by E. Delafield and short stories by Naomi Mitchison, the chapter explores the strategies by which Time and Tide sustained its commitment to female culture and through cross-gender collaboration created a ‘common platform’ for both thinking women and men.
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“共同平台”:男性贡献者与跨性别合作
这一章探讨了《时代与潮流》重新塑造为面向大众的周刊的另一个关键因素:在其撰稿人群体中,男性作家的增加。该期刊的早期记录表明,20世纪30年代早期的这种转变代表了《时代与潮流》女权主义的削弱。然而,本章认为,包括乔治·萧伯纳、圣约翰·欧文和温德姆·刘易斯在内的男性撰稿人的签名是战略性的,目的是在核心读者之外为报纸做广告;它还考虑了继续担任重要编辑和工作人员职位的妇女匿名的使用。这一章讨论了《时代与潮汐》最年轻的导演温妮弗雷德·霍特比的贡献,以及e·德拉菲尔德的滑稽模仿和娜奥米·米奇森的短篇小说,探讨了《时代与潮汐》持续致力于女性文化的策略,并通过跨性别合作为有思想的女性和男性创造了一个“共同平台”。
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‘A Free Pen’: Women Intellectuals and the Public Sphere Mediating Culture: Modernism, the Arts and the Woman Reader ‘The Weekly Crowd. By Chimaera’: Collective Identities and Radical Culture ‘A Common Platform’: Male Contributors and Cross-Gender Collaboration ‘The Enjoyment of Literature’: Women Writers and the ‘Battle of the Brows’
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