The Somatic Turn in the Aesthetics and Its Significance——A Cross-cultural Perspective

Hongchen Wang
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Abstract

The entire history of Western philosophy and aesthetics is a history of struggle between the body and the soul. For a long time, the traditional western philosophy represented by Plato and Augustine insisted on a ideological path of separating the body and mind and restraining the body and raising the mind. In contemporary academic discourse, the sudden emergence of "body" is directly related to the modern trend of thought, and in fact constitutes a reflection and correction of traditional ideological aesthetics. Thinkers such as Nietzsche, Merleau-Ponty, and Foucault initiated this thought process, while Richard Shusterman established its basic orientation from the perspective of discipline construction. In response to this, Chinese scholars have also made more obvious theoretical contributions. As a paradigm of Somaesthetic, it sharply criticizes Logocentrism, insists on cultural comparison, highlights the practical function of theory, and implements the life care of aesthetics, which provides a meaningful value scale for the construction of contemporary aesthetics.
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美学中的躯体转向及其意义——一个跨文化视角
整个西方哲学和美学的历史就是一部身体与灵魂的斗争历史。长期以来,以柏拉图、奥古斯丁为代表的西方传统哲学坚持走身心分离、抑身养心的思想道路。在当代学术话语中,“身体”的突然出现与现代思潮直接相关,实际上构成了对传统思想美学的反思和修正。尼采、梅洛-庞蒂、福柯等思想家开创了这一思维过程,理查德·舒斯特曼从学科建设的角度确立了其基本取向。对此,中国学者的理论贡献也更为明显。作为身体美学的范式,它尖锐批判逻古斯中心主义,坚持文化比较,突出理论的实用功能,实现美学的生命关怀,为当代美学的建构提供了有意义的价值尺度。
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