Understanding Audio Production Practices of People with Vision Impairments

Abir Saha, Anne Marie Piper
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引用次数: 25

Abstract

The advent of digital audio workstations and other digital audio tools has brought a critical shift in the audio industry by empowering amateur and professional audio content creators with the necessary means to produce high quality audio content. Yet, we know little about the accessibility of widely used audio production tools for people with vision impairments. Through interviews with 18 audio professionals and hobbyists with vision impairments, we find that accessible audio production involves: piecing together accessible and efficient workflows through a combination of mainstream and custom tools; achieving professional competency through a steep learning curve in which domain knowledge and accessibility are inseparable; and facilitating learning and creating access by engaging in online communities of visually impaired audio enthusiasts. We discuss the deep entanglement between accessibility and professional competency and conclude with design considerations to inform future development of accessible audio production tools.
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理解视障人士的音频制作实践
数字音频工作站和其他数字音频工具的出现,通过为业余和专业音频内容创作者提供生产高质量音频内容的必要手段,给音频行业带来了重大转变。然而,我们对视力障碍人士广泛使用的音频制作工具的可及性知之甚少。通过对18名音频专业人士和视觉障碍爱好者的采访,我们发现无障碍音频制作包括:通过主流和定制工具的结合,将无障碍和高效的工作流程拼凑在一起;通过陡峭的学习曲线获得专业能力,其中领域知识和可访问性是不可分割的;通过参与视障音频爱好者的在线社区,促进学习和创造机会。我们讨论了可访问性和专业能力之间的深层纠缠,并总结了可访问性音频制作工具未来开发的设计考虑。
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