Cultural Memory Within The User Experience: From The Past To An Interface Of The Future

Andrei Lazar
{"title":"Cultural Memory Within The User Experience: From The Past To An Interface Of The Future","authors":"Andrei Lazar","doi":"10.2478/9788366675193-028","DOIUrl":null,"url":null,"abstract":": This paper presents the initial results of a study on cultural memory, from the design product`s perspective, with focus on user interface. In user experience design the cultural memory brings new ways of expression of the interface elements, consisting of updated reinterpretations of some elements well known by the masses of users. The cultural memory keeps, preserves the knowledge and the collective human experiences from the past, such as texts, images, practices and others, in order to be rediscovered and reused by the current generations. This leads to the creation of a new form of interface, in which the user becomes an integral part, by using a mutual fund of memory, manifested through the elements of interface who refer to the knowledge and the experience of the user. These memories are bringed back through a metonymical pattern, where the part named mnemonic trigger , refers to the whole, to the memory of the accumulated experience. This way, the cultural memory constitutes the foundation on which the new element will be built, reinterpreted and updated. The stage of reinventing the wheel is skipped in user interface because all the elements and all the operating modes already exist in the memory.The concept of cultural memory is exemplified by the element of the analog potentiometer, analysed in the light of some iconic design products. During the analysis, a new evolutionary interface is revealed, connected to the period-specific technologies of each product. These have influenced and they continue to infuence the development of new interfaces, constituting references to the foundation upon which a new interface will be built, which could be a potential interface of the future by the synchronisation with the emerging technologies and the recent scientific discoveries.","PeriodicalId":410365,"journal":{"name":"Art and Research – Contemporary Challenges","volume":"89 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art and Research – Contemporary Challenges","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/9788366675193-028","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

: This paper presents the initial results of a study on cultural memory, from the design product`s perspective, with focus on user interface. In user experience design the cultural memory brings new ways of expression of the interface elements, consisting of updated reinterpretations of some elements well known by the masses of users. The cultural memory keeps, preserves the knowledge and the collective human experiences from the past, such as texts, images, practices and others, in order to be rediscovered and reused by the current generations. This leads to the creation of a new form of interface, in which the user becomes an integral part, by using a mutual fund of memory, manifested through the elements of interface who refer to the knowledge and the experience of the user. These memories are bringed back through a metonymical pattern, where the part named mnemonic trigger , refers to the whole, to the memory of the accumulated experience. This way, the cultural memory constitutes the foundation on which the new element will be built, reinterpreted and updated. The stage of reinventing the wheel is skipped in user interface because all the elements and all the operating modes already exist in the memory.The concept of cultural memory is exemplified by the element of the analog potentiometer, analysed in the light of some iconic design products. During the analysis, a new evolutionary interface is revealed, connected to the period-specific technologies of each product. These have influenced and they continue to infuence the development of new interfaces, constituting references to the foundation upon which a new interface will be built, which could be a potential interface of the future by the synchronisation with the emerging technologies and the recent scientific discoveries.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
用户体验中的文化记忆:从过去到未来的界面
本文从设计产品的角度,以用户界面为重点,提出了文化记忆研究的初步结果。在用户体验设计中,文化记忆带来了界面元素的新表达方式,包括对大众用户所熟知的一些元素进行更新的重新诠释。文化记忆保存了过去的知识和人类集体经验,如文本、图像、实践等,以便被当代人重新发现和再利用。这导致了一种新的界面形式的创造,在这种形式中,用户成为一个不可分割的部分,通过使用共同的记忆基金,通过涉及用户知识和经验的界面元素表现出来。这些记忆通过一种转喻的模式被带回来,其中被称为助记触发的部分,指的是整体,指的是积累经验的记忆。这样,文化记忆就构成了新元素被构建、重新诠释和更新的基础。因为所有的元素和所有的操作模式都已经存在于内存中,所以在用户界面中跳过了重新发明轮子的阶段。以模拟电位器为例,分析了文化记忆的概念,并结合一些标志性的设计产品进行了分析。在分析过程中,揭示了一个新的进化接口,连接到每个产品的特定时期的技术。这些因素已经并将继续影响新界面的开发,构成了新界面构建的基础,通过与新兴技术和最近的科学发现同步,新界面可能成为未来的潜在界面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Characteristics Of Symphonic Jazz The Autonomy Of The Aesthetic Dimension In The Romanian Musical Works Of The Decade 1980-1990. Pascal Bentoiu And His Generation Who, What, Why, Where, And How Is The Clown Today? Feedback Effect And Its Applications In The Art Of Stage Speech Samuel Beckett And The Temptation Of Direction
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1