De-marginalising and de-centring film studies in bodies, places and on screens

B. Jung, Derilene Marco
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Abstract

This paper presents a multimodal conversation that engages the personal teaching and learning experiences of the authors, Berenike Jung (in London when the conversation started) and Derilene Marco (in Johannesburg). Critically reflecting and engaging through an audio recording and letters, Jung and Marco ask each other about the processes of doing and performing the labour of decolonising film teaching in their respective courses and from different global locations. Keeping in mind the impositions and complexities of the pandemic, Jung and Marco also reflect upon the ways in which colonial posturing occurs in film studies spaces, such as highly visible international film conferences. In doing so, they reflect on how engagements such as these keep many scholars and their scholarship confined to traditional Eurocentric and North American strategies, methods and endorsements of approval and relevance. The piece is conversational and self-aware in its self-referential tone. It is intended that readers listen to parts of the audio if they please, but that they are not compelled to do so to find meaning.
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在身体、地点和屏幕上去边缘化和去中心化电影研究
本文提出了一个多模式的对话,涉及作者的个人教学和学习经验,Berenike Jung(对话开始时在伦敦)和Derilene Marco(在约翰内斯堡)。Jung和Marco通过录音和信件进行批判性反思和互动,询问对方在各自的课程中以及在全球不同地区进行非殖民化电影教学的过程。考虑到疫情的影响和复杂性,荣格和马尔科还反思了殖民姿态在电影研究空间中发生的方式,比如高度可见的国际电影会议。在这样做的过程中,他们反思了这样的参与是如何使许多学者及其学术局限于传统的以欧洲为中心和北美的战略、方法和认可和相关性的认可。这篇文章在自我指涉的语气中是对话式的和自我意识的。它的目的是让读者听部分音频,如果他们愿意,但他们不强迫这样做,以寻找意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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