The Depression Years

A. Rothstein
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引用次数: 4

Abstract

leave behind its dust and pull on up to that storefront weather-worn with its tin porch roof held up by posts I might still carve initials on. In the barber shop that's Dad's he's caught the hair that's fallen on the shoulder; now it goes on tumbling to the floor and the black man in the corner comes forth to sweep it up. In the schoolhouse that pouting little girl quits picking at her shoe, stands up and then is grown and beautiful but bored to tears. I watch her meet her Rodolphe in the woods. Those who walk beneath the marquee in Iowa go right on in, have their popcorn in the dark. I can hear it while I taste the first-thrill kiss, slip my hand inside the bra again. We miss half the lines that Betty Grable speaks, then with different lovers (this was practice) found the families that war destroyed or that left today's so-called adults. I look down on Pittsburgh too, from a hill of slag, spot that famous billboard where the family's crammed into a car, before a mile of tortured slums in smog. I conclude that Rothstein failed to stop the action, still the dance. He keeps me gawking, moving back.
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把灰尘抛在脑后,把车开到那个饱经风霜的店面,锡制门廊的屋顶由柱子支撑着,我可能还在上面刻着首字母。在爸爸的理发店里,他抓住了掉在肩膀上的头发;现在它继续滚到地板上,角落里的黑人走过来把它扫了起来。在学校里,那个撅着嘴的小女孩不再抠自己的鞋子,站起来,长大了,美丽了,但无聊得哭了。我看着她在树林里遇见她的鲁道夫。在爱荷华州,那些走在帐篷下面的人直接进去,在黑暗中吃爆米花。当我品尝第一次激动的吻时,我能听到它,我的手又伸进了胸罩。我们错过了贝蒂·格拉布尔说过的一半台词,然后和不同的爱人(这是惯例)找到了被战争摧毁的家庭,或者留下了今天所谓的成年人。我也俯视着匹兹堡,从一座炉渣山,看到那个著名的广告牌,一家人挤在一辆车里,然后是一英里长的烟雾中饱受折磨的贫民窟。我的结论是罗斯坦没能阻止行动,仍然在跳舞。他让我呆呆地看着,不停地后退。
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Entering the New Millennium The Depression Years
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