THE PARADIGM OF THE CONCEPT OF DEATH IN THE LYRICS BY O. TARNAVSKY (EXISTENCE AND COEXISTENCE)

I. Vasylyshyn
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Abstract

The article considers the paradigm of the concept of death in the lyrics by Ostap Tarnavsky as a subject of his poetic philosophical thinking and interpretations.O. Tarnavsky’s lyrical poetry, in which the poet highlights the problems of human existence, moral and psychological aspects of the finiteness of earthly existence, reveals the dualism of the author's thoughts. The poet sought to comprehend death, on the one hand, as the end of human existence, which implied facing its tragic irreversibility and then overcoming the fear of death for achieving the authenticity of being. On the other hand, he admitted coexistence with death, which is the guide of a man on the path to eternity. The philosophical concept of coexistence as a common being of the human self with others and with the world was substantiated by the Italian existentialist philosopher Nicola Abbagnano in his work “Introduzione all'esistenzialismo” (1942). Poetic and philosophical understanding of the concept of death as a transition from earthly existence to eternity was unfolded by O. Tarnavsky in a wreath of sonnets within the collection “Life”. In the 11th sonnet “The order of the world creates in the head…” the author equates death with immortality because only after the completion of the earthly path a person approaching God in life – “perceives the One who creates” and gets Him. In his poems, O. Tarnavsky comprehends the earthly space and time as a certain section of moving to eternity and seeks to outline its coordinates (“Phantoms in Emptiness”). Death is only a coexistent form of eternity that changes one stage into another. The situation of birth and death, according to the Italian philosopher-existentialist N. Abbaniano, is the very depth of coexistence. In the poem “Where do you call to go, princess?..” the paradigm of the concept of death is narrowed and existentially personalized to ‘my death’, which eventually transforms into the author’s vision of death. In his philosophical lyrics, O. Tarnavsky covers the problems of human existence – earthly and eternal, psycho-spiritual and moral-psychological aspects of the last stage of earthly life. The poet represents the dialectic of life and death and, in particular, the paradigm of death, from religious, philosophical, and axiological points of view. At the same time, he demonstrates purely psychological reflections, expressed in spiritual and emotional experiences.
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塔纳夫斯基歌词中死亡概念的范式(存在与共存)
在奥-塔纳夫斯基的抒情诗中,诗人强调了人类生存的问题、尘世生存有限性的道德和心理方面,揭示了作者思想的二元性。一方面,诗人试图将死亡理解为人类生存的终结,这意味着面对其悲剧性的不可逆转性,然后克服对死亡的恐惧,以实现存在的真实性。另一方面,他承认与死亡共存,死亡是人类通往永恒之路的向导。意大利存在主义哲学家尼古拉-阿巴尼亚诺(Nicola Abbagnano)在其著作《Introduzione all'esistenzialismo》(1942 年)中证实了人类自我与他人和世界共存的哲学概念。奥-塔尔纳夫斯基在诗集《生命》的十四行诗中,从诗歌和哲学的角度阐述了死亡是从尘世到永恒的过渡这一概念。在第 11 首十四行诗 "世界的秩序在头脑中创造...... "中,作者将死亡等同于永生,因为只有在完成尘世的道路之后,一个人才能在生活中接近上帝--"感知创造者 "并得到他。奥-塔尔纳夫斯基在他的诗歌中将尘世的时空理解为走向永恒的某个部分,并试图勾勒出它的坐标(《虚空中的幻影》)。死亡只是永恒的一种并存形式,它将一个阶段变为另一个阶段。意大利哲学家、存在主义者阿巴尼亚诺(N. Abbaniano)认为,生与死的处境正是共存的深度。在诗歌 "你呼唤去哪里,公主...... "中,死亡概念的范式被缩小并存在个性化为 "我的死亡",最终转化为作者对死亡的憧憬。奥-塔纳夫斯基在他的哲理歌词中阐述了人类生存的问题--尘世和永恒,尘世生命最后阶段的精神心理和道德心理。诗人从宗教、哲学和公理的角度表现了生与死的辩证关系,特别是死亡的范式。同时,他还展示了纯粹的心理反映,表现为精神和情感体验。
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