Stairway to Paradise

Abstract

In November 1914, Max Steiner arrived in New York City, with little money and few prospects. This chapter details another formative time in Steiner’s life: his ascent from a struggling Tin Pan Alley music copyist to successful Broadway conductor. It also details his first professional experience with cinema (then silent), as musical supervisor and composer for a chain of New York theaters owned by William Fox. Steiner’s gregariousness and his gift for quick problem-solving led to work with celebrated composer Victor Herbert. Steiner also formed friendships with rising talents like Jerome Kern, Oscar Levant, and George Gershwin. Stage hits like the Gershwin-scored George White’s Scandals expanded Steiner’s musical language, which was fundamentally European, to include American jazz. However, his own attempt to write a Broadway show—1923’s Peaches—was a failure, discouraging him for a time from further composition.