REPRESENTASI KEKERASAN DALAM FILM “THE RAID: REDEMPTION”

Jurnal Penelitian Sosial Ilmu Komunikasi Pub Date : 2019-06-01 DOI:10.33751/jpsik.v3i2.1298

Aditya Mulyana, F. Alamsyah, Y. Nugraha

{"title":"REPRESENTASI KEKERASAN DALAM FILM “THE RAID: REDEMPTION”","authors":"Aditya Mulyana, F. Alamsyah, Y. Nugraha","doi":"10.33751/jpsik.v3i2.1298","DOIUrl":null,"url":null,"abstract":"AbstractFilm is one of the mass communication media that has one goal that is to provide entertainment. Indonesian films that have penetrated to air in several countries, namely The Raid: Redemption film. This action genre film shows a lot of violent scenes. Hence this study aims to find out how representations related to violence both verbally and non-verbally in the The Raid: Redemption film. In this study to help find meaning in the The Raid: Redemption, the author uses Roland Barthes semiotics which sees everything with levels of denotation, connotation to myth. The qualitative research method retrieval to find out the purpose of violence and how the life and culture of violence that occurs in the The Raid: Redemption film. This research was conducted in the city of Bogor and Jakarta starting from November 2017 to June 2018. Based on the results of research conducted that the violence displayed in the film The Raid: Redemption shows that someone who has the power allows to commit acts of violence both psychologically and phisically. Violence becomes a solution to all the problems that occur in this film. The language used by someone who commits violence tends to be harsh to demean others. Keywords: Violence, Semiotics, Representation, Film, The Raid: Redemption","PeriodicalId":311506,"journal":{"name":"Jurnal Penelitian Sosial Ilmu Komunikasi","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jurnal Penelitian Sosial Ilmu Komunikasi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33751/jpsik.v3i2.1298","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 1

Abstract

AbstractFilm is one of the mass communication media that has one goal that is to provide entertainment. Indonesian films that have penetrated to air in several countries, namely The Raid: Redemption film. This action genre film shows a lot of violent scenes. Hence this study aims to find out how representations related to violence both verbally and non-verbally in the The Raid: Redemption film. In this study to help find meaning in the The Raid: Redemption, the author uses Roland Barthes semiotics which sees everything with levels of denotation, connotation to myth. The qualitative research method retrieval to find out the purpose of violence and how the life and culture of violence that occurs in the The Raid: Redemption film. This research was conducted in the city of Bogor and Jakarta starting from November 2017 to June 2018. Based on the results of research conducted that the violence displayed in the film The Raid: Redemption shows that someone who has the power allows to commit acts of violence both psychologically and phisically. Violence becomes a solution to all the problems that occur in this film. The language used by someone who commits violence tends to be harsh to demean others. Keywords: Violence, Semiotics, Representation, Film, The Raid: Redemption

查看原文

微信好友朋友圈 QQ好友复制链接

本刊更多论文

代表克克拉森·达拉姆电影《突袭:救赎》

摘要电影是一种大众传播媒介，其目的是提供娱乐。印尼电影已经渗透到几个国家的空气，即突袭:救赎电影。这部动作类型片有很多暴力场面。因此，本研究旨在找出在《突袭:救赎》电影中，口头和非口头的暴力表现是如何相关的。在本研究中，作者运用罗兰·巴特的符号学理论，从神话的外延和内涵层面来看待一切事物，以帮助寻找《劫难:救赎》的意义。通过质性研究方法的检索，找出暴力的目的，以及暴力的生活和文化是如何发生在《劫掠:救赎》电影中的。这项研究于2017年11月至2018年6月在茂物市和雅加达进行。根据研究结果，电影《突袭:救赎》中的暴力场面表明，拥有权力的人可以在心理和身体上实施暴力行为。暴力成为解决影片中出现的所有问题的方法。施暴者使用的语言往往是严厉的，以贬低他人。关键词:暴力，符号学，再现，电影，突袭:救赎

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文去求助

来源期刊

Jurnal Penelitian Sosial Ilmu Komunikasi

自引率

0.00%

发文量