{"title":"‘A kind of partnership business’: The Wrecker and The Ebb-Tide","authors":"Audrey Murfin","doi":"10.3366/edinburgh/9781474451987.003.0006","DOIUrl":null,"url":null,"abstract":"This chapter considers the last two, and best known, Stevenson-Osbourne literary collaborations. After The Wrong Box, the pair went on to write The Wrecker (1892) together, but privately Stevenson emphasized Lloyd Osbourne’s subordinate role and expressed his growing frustration with the creative process. Finally, they undertook The Ebb-Tide (1894), but by then the process had failed. Stevenson’s growing dissatisfaction with the collaboration forms the argument of both The Wrecker and The Ebb-Tide. In particular, The Wrecker is a novel about partnerships and the compromises they require—of ethics, art, and self-interest, written at a moment when Stevenson himself was the most challenged by his own difficult partnership with Osbourne.","PeriodicalId":436033,"journal":{"name":"Robert Louis Stevenson and the Art of Collaboration","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Robert Louis Stevenson and the Art of Collaboration","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474451987.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter considers the last two, and best known, Stevenson-Osbourne literary collaborations. After The Wrong Box, the pair went on to write The Wrecker (1892) together, but privately Stevenson emphasized Lloyd Osbourne’s subordinate role and expressed his growing frustration with the creative process. Finally, they undertook The Ebb-Tide (1894), but by then the process had failed. Stevenson’s growing dissatisfaction with the collaboration forms the argument of both The Wrecker and The Ebb-Tide. In particular, The Wrecker is a novel about partnerships and the compromises they require—of ethics, art, and self-interest, written at a moment when Stevenson himself was the most challenged by his own difficult partnership with Osbourne.