From Conquerors to Enchanters: Ways of Apprehending Reality Through Novelistic Creation

Larisa Botnari
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Abstract

Creators of new worlds through their novels, André Malraux and Romain Gary equally reject the real universe – considered as odious, tragic, absurd – as well as any purely mimetic link between this universe and literary creation. But the two novelists translate this opposition into completely different registers. If Malraux’s writing seems to express the desire for a direct confrontation and defiance, Gary’s work is rather characterized by a mocking, disdainful attitude towards reality, which the writer intends to conquer mainly by humor. Our article aims to show that Gary’s literary response, far from being an escape, represents a rebellion that is just as powerful (and, in certain aspects, more relevant for our times) than the commitment and the fight explicitly assumed by Malrucian writing.
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从征服者到魔法师:通过小说创作理解现实的方式
通过小说创造新世界的安德烈·马尔罗和罗曼·加里同样拒绝真实的宇宙——被认为是可憎的、悲惨的、荒谬的——以及这个宇宙与文学创作之间的任何纯粹的模仿联系。但这两位小说家将这种对立转化为完全不同的语言。如果说马尔罗的作品似乎表达了一种直接对抗和反抗的欲望,那么加里的作品则更倾向于对现实的一种嘲弄、轻蔑的态度,作者主要是想用幽默来征服这种态度。我们的文章旨在表明,加里的文学回应,远非逃避,而是代表了一种反叛,这种反叛与马鲁鲁作家明确承担的承诺和斗争一样强大(在某些方面,与我们的时代更相关)。
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