ИНТЕРТЕКСТУАЛНОСТ КАО ФОРМАТИВНИ ПРИНЦИП У РОМАНУ ЧУВАР АДРЕСЕ MОМА KАПОРА

Abstract

The paper analyzes the novel Čuvar adrese (2000) by Momo Kapor from the point of view of the types and functions of intertextual relations in it. In the introductory remarks, the light is shed on the writer’s basic autopoetic attitudes and the polyvalent genre nature of this novel as part of Kapor’s prose oeuvre and the Sarajevskatrilogija. After that, the term intertextuality itself is first defined, and then by applying the theoretical assumptions of Dubravka Oraić Tolić, the basic types of intertextual, citational, autocitational and autoreferential relations that we find in the text of the novel Čuvar adrese are distinguished. Special attention is focused on the analysis of the relationship between the text of the Čuvar adrese and the intertext Ljetopis of Mula Mustafa Bašeskija, i. e. selfcitation links of the interdependence of the text of Kapor’s novel and his earlier publication of the story Čudo se događa Bel Amiju. We conclude that intertextual and autoquotation procedures have the function of constructive elements that manage the structure and meaning of the narrative, connecting the parts of the story into a coherent whole.