Profit Leak? Pre-Release File Sharing and the Music Industry

R. Hammond
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引用次数: 59

Abstract

Using data from an exclusive file-sharing Web site that allows users to share music files using the BitTorrent protocol, I exploit exogenous variation in the availability of sound recordings in file-sharing networks to isolate the causal effect of file sharing of an album on its sales. Using within-album variation in illegal downloads and sales, I find that the effect is essentially zero: The elasticity of sales with respect to illegal downloads is one-tenth of one percentage point. However, the finding that file sharing is not harmful to individual artists is not inconsistent with the well-documented fact that file sharing is harmful to the music industry (the fallacy of composition). More important, I find that file sharing benefits more established and popular artists who are signed to major labels, which is consistent with recent industry trends.
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利润泄漏?预发行文件共享与音乐产业
我利用来自一个允许用户使用BitTorrent协议共享音乐文件的独家文件共享网站的数据,利用文件共享网络中录音可用性的外生变化,分离出专辑文件共享对其销售的因果影响。在非法下载和销售中使用专辑内部的变化,我发现效果基本上是零:与非法下载相关的销售弹性是十分之一个百分点。然而,文件共享对艺术家个人无害这一发现与文件共享对音乐产业有害这一有案可查的事实(作曲谬论)并不矛盾。更重要的是,我发现文件共享有利于更多与大唱片公司签约的知名和流行艺术家,这与最近的行业趋势是一致的。
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Slicing the Pie: The Search for an Equitable Recorded Music Economy Profit Leak? Pre-Release File Sharing and the Music Industry
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