Production and Reception

David Evans-Powell
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Abstract

This chapter outlines the film’s production, release and reception. It includes brief biographies for the key creatives (Piers Haggard, director; Robert Wynne-Simmons, writer; Marc Wilkinson, composer; Dick Bush, Director of Photography), a detailed history on the film’s inception and production, an account of the film’s release and its immediate reception, and a summary of its home release and its emergent cult status. This chapter concludes with a consideration of the film’s locations, the time setting for the film (an approximate early 18th Century) and a short discussion on the influence of Ingmar Bergman’s films on Satan’s Claw’s aesthetic and themes.
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制作与接收
本章概述了这部电影的制作、发行和接受情况。它包括主要创意人员的简短传记(皮尔斯·哈格德,导演;作家罗伯特·韦恩-西蒙斯;作曲家马克·威尔金森;迪克·布什(Dick Bush),摄影总监),详细介绍了电影的开始和制作的历史,电影发行和立即受到欢迎的情况,以及它在家庭发行和它的新兴崇拜地位的总结。本章以考虑电影的地点,电影的时间设定(大约18世纪早期)和对英格玛伯格曼电影对撒旦之爪的美学和主题的影响的简短讨论结束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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