Think piece : sustainability education and (curriculum) improvisation

L. Grange
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引用次数: 6

Abstract

In this article I (re)think sustainability education in view of a (re)turn to realisms  because existing philosophies have failed to adequately respond to an impending  ecological disaster and the fast pace of new technologies. This historical moment has made geologists posit a new epoch, the Anthropocene. I argue that responses to this historical moment must overcome  correlationalism generally, and in particular a narrow form of it called instrumental rationality. Correlationalism means that reality appears only as the correlate of human thought. I suggest that sustainability might be liberated from the fetters of  correlationalism by invoking a metaphor from jazz music,   improvisation. Improvisation that is anti-correlationalist involves being attuned to the reverberations of the earth, to its materials flows, rhythms and intensities. Moreover, pedagogy as improvisation does not merely use the earth as a stage on which   pedagogical acts are performed, but pedagogy is bent by the earth.  Moreover,   sustainability education involves the development of sensibilities that are an amalgam of visual (videre), listening (sontare) and feeling (sentire).
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思考篇:可持续发展教育和(课程)即兴创作
在这篇文章中,我(重新)考虑到可持续发展教育(重新)转向现实,因为现有的哲学未能充分应对即将到来的生态灾难和新技术的快速发展。这一历史性时刻让地质学家们假设了一个新纪元,人类世。我认为,对这一历史时刻的回应必须普遍地克服相关主义,特别是它的一种被称为工具理性的狭隘形式。相关主义的意思是,现实只是作为人类思想的关联而出现。我建议,通过引用爵士音乐中的一个隐喻,即即兴创作,可以将可持续性从相关性主义的束缚中解放出来。反相关主义的即兴创作涉及到与地球的回响、它的物质流动、节奏和强度相协调。此外,作为即兴创作的教育学并不仅仅是将大地作为舞台来表演教学行为,而是被大地所弯曲。此外,可持续发展教育涉及到视觉(videre)、听觉(sontare)和感觉(senwhole)的融合的敏感性的发展。
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