Czy Smok Wawelski woli sushi? Semiosfera wizji wielokulturowego miasta XXI wieku w pracach artystycznych uczniów krakowskich szkół

Abstract

In this text, a semiotic perspective was used to analyze the artistic works of students from Krakow schools submitted to the competition entitled “A multicultural city in the 21st century”. Assuming that the condition for the semiotics of the city are social processes leading to the recognition of objects in urban space as signs, the text is aimed to answer the question: what signs and codes constitute the semiosphere of works taking part in the competition? The analysis shows that the participants creatively used signs rooted in the tradition of Krakow, modifying their meaning by placing them in new syntagmatic systems with signs from other cultural codes. These works also show that the impact of cultural interactions is related to an exchange of signs and the dynamic process of reassigning their meanings. They also illustrate other sociocultural mechanisms taking place in the conditions of multi – and interculturalism. One of them is the simple multiplication of various “cultural packages”, and another – the diverse and dynamic interactions and the interweaving of the multiple elements that make up the entire intercultural space.