The Awakening of the Locked Up Female Body in That Scorching Season of Youth

M. Nazlıpınar
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Abstract

The dichotomies of 'self/other', ‘subject/object’, 'mind/body', ‘reason/emotion’ and 'materiality/rationality', having been initiated and systematized by Plato and Aristotle respectively, and accepted as ‘Cartesian Duality’ with the ideas of French philosopher Rene Descartes, have been gradually turned into strongly established binary opposition of ‘male/female’ by patriarchal societies. This transformation process deriving from female body and sexuality has defined and marginalized woman in accordance with androcentric terms and imprisoned her within patriarchal constraints. Women and women writers, aiming to subvert male hegemony, have been in a struggle for articulating the unspoken female body and sexuality, and giving voice to muted fellows with the required words and awareness. Erendiz Atasu, knowing all the difficulties and limitations as a woman and a woman writer in a patriarchal society, is one of those women writers seeking alternative ways to change women’s constructed submissive and secondary position. In accordance with those considerations, Atasu strives for transcending beyond long-established gender dichotomies emanated from primary ‘male/female’ opposition and emphasizes the significance of unshackling and de(con)structing the phallocentric discourses and unspoken taboos in regard to female body and experiences. In this respect, based on the theories of post-structuralist feminism, this study analyzes Atasu’s poetic work, That Scorching Season of Youth, and aims to prove how women can establish a new, female-oriented tradition that will allow, justify and acknowledge their female existence through the rejecting the constructed phallocentric discourses and hierarchical binary oppositions
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在那个炙热的青春季节,被禁锢的女性身体的觉醒
“自我/他者”、“主体/客体”、“心灵/身体”、“理性/情感”和“物质性/理性”的二分法,分别由柏拉图和亚里士多德提出并系统化,并与法国哲学家笛卡尔的思想一起被接受为“笛卡尔二元性”,在父权社会中逐渐变成了强烈确立的“男性/女性”二元对立。这种源于女性身体和性的转变过程,按照男性中心主义的术语来定义和边缘化了女性,并将女性禁锢在父权的约束之下。以颠覆男性霸权为目标的女性和女作家,一直在努力阐明女性无法言说的身体和性,用必要的语言和意识为沉默的人发声。艾伦迪兹·阿塔苏深知身为女性和女作家在男权社会中所面临的种种困难和局限,她是力图改变女性被建构的顺从和次要地位的女作家之一。根据这些考虑,Atasu努力超越长期建立的性别二分法,这种二分法源于最初的“男性/女性”对立,并强调解除和解构关于女性身体和经验的生殖器中心话语和潜禁忌的重要性。在此基础上,本研究以后结构主义女性主义理论为基础,对阿塔苏的诗歌作品《那炙热的青春季节》进行分析,旨在证明女性如何通过拒绝被建构的“生殖器中心”话语和等级二元对立,建立一种新的、以女性为中心的传统,允许、证明和承认她们的女性存在
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