ROOTLESSNESS IN ELIZABETH BOWEN'S THE DEATH OF THE HEART, AND CHINUA ACHEBE'S ARROW OF GOD: A COMPARATIVE STUDY BETWEEN ANGLO-IRISH AND AFRICAN POSTCOLONIAL LITERATURE

Luma Ibrahim Al-BARZENJI
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Abstract

Postcolonial literature views the British Empire of the nineteenth century as unique in human history and literary products for it provides writers with different subjects that deal with the idea of how to resurrect the colonized identity even after getting liberation. Postcolonial literature seems to label literature written by people living in countries formerly colonized by other colonized and other colonial powers as British. Such literature and particularly novel, emerged to focus on social, moral, and cultural influences and their interrelation with the impact of English existence upon some countries as Ireland in Europe and Nigeria in Africa. Irish novel shares its genesis with the English novel. When we write of the eighteenth century and use the phrase ' the Irish novel', we are necessarily referring to novel written by authors who, irrespective of birthplace, inhabited both England and Ireland and who thought of themselves as English or possibly both English and Irish. This fact is apparent within hands when we talk about the Anglo-Irish novelist Elizabeth Bowen and her novels that show the obvious effect of her Irish identity upon her works during the period of World Wars I and II with a consideration to Ireland as a British colony. The same impact with African culture, postcolonial Nigeria, when its writers saw the changes crept to their traditions. Their literary products concentrated on questioning their nation how to keep and reserve African identity from alternations. Chinua Achebe, the Nigerian writer tried to reflect his culture in a mirror to readers and challenge them with their own strength and weakness in his novel Arrow of God. His novel tackles these weaknesses of the traditional outlook and senses for change. The research paper tackles the concept of rootlessness in postcolonialism through Anglo-Irish novel The Death of the Heart (1938) of Elizabeth Bowen ,which is tackled in the first section , and postcolonial Nigerian novel Arrow of God (1964) written by Chinua Achebe in the second section. The paper ends with conclusions and works cited.
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伊丽莎白·鲍文《心之死》中的无根性与奇努阿·阿契贝《神之箭》中的无根性:盎格鲁-爱尔兰与非洲后殖民文学的比较研究
后殖民文学认为19世纪的大英帝国在人类历史和文学作品中都是独一无二的,因为它为作家提供了不同的主题,处理如何在获得解放后复活殖民地身份的问题。后殖民文学似乎把生活在曾经被其他殖民地和其他殖民大国殖民过的国家的人们所写的文学称为英国文学。这些文学作品,尤其是小说,主要关注社会、道德和文化的影响,以及它们与英语对欧洲的爱尔兰和非洲的尼日利亚等国家的影响的相互关系。爱尔兰小说与英国小说有着共同的起源。当我们谈到18世纪时,使用“爱尔兰小说”这个词,我们必然指的是那些作者所写的小说,不管出生地如何,他们既居住在英格兰也居住在爱尔兰,并且认为自己是英国人,或者可能既是英国人也是爱尔兰人。当我们谈到盎格鲁-爱尔兰小说家伊丽莎白·鲍恩和她的小说时,这个事实就显而易见了她的小说显示了她的爱尔兰身份对她的作品的明显影响,在第一次世界大战和第二次世界大战期间,考虑到爱尔兰是英国的殖民地。非洲文化也受到了同样的影响,后殖民时代的尼日利亚,作家们看到了他们传统的变化。他们的文学作品集中在质疑他们的国家如何在变化中保持和保留非洲身份。尼日利亚作家奇努阿·阿奇贝在小说《上帝之箭》中,试图用一面镜子向读者反映自己的文化,并以自己的长处和弱点挑战读者。他的小说抓住了传统观点和变革意识的这些弱点。本文通过英裔爱尔兰作家伊丽莎白·鲍恩的小说《心之死》(1938)和后殖民时期尼日利亚作家奇努阿·阿奇贝的小说《神之箭》(1964),对后殖民时期无根的概念进行了探讨。文章以结论和引证著作结尾。
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