{"title":"Los Smithsons en Golden Lane: la Simultaneidad de Hechos en el Fotomontaje como Construcción de lo Real","authors":"Iván Capdevila Castellanos, V. Pallarés","doi":"10.14198/I2.2013.1.05","DOIUrl":null,"url":null,"abstract":"The innovative use of the photomontage technique in the competition proposal for Golden Lane in 1952 by the Smithsons, as strategy of celebration of the ordinary within a physically and psychologically destroyed postwar London’s East End, will allow them to discover its inspirational source in reality “as found” and to turn it into a new architectural paradigm.","PeriodicalId":298878,"journal":{"name":"[i2]: Investigación e Innovación en Arquitectura y Territorio","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"[i2]: Investigación e Innovación en Arquitectura y Territorio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14198/I2.2013.1.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
The innovative use of the photomontage technique in the competition proposal for Golden Lane in 1952 by the Smithsons, as strategy of celebration of the ordinary within a physically and psychologically destroyed postwar London’s East End, will allow them to discover its inspirational source in reality “as found” and to turn it into a new architectural paradigm.