{"title":"Neural Correlates of Music and Emotion","authors":"P. Juslin, Laura S. Sakka","doi":"10.1093/oxfordhb/9780198804123.013.13","DOIUrl":null,"url":null,"abstract":"This chapter presents a theoretical and empirical review of studies of the neural correlates of emotional responses to music. First, it outlines basic definitions and distinctions of the field of music and affect. Second, it describes an extensive theoretical framework that may serve to organize the domain. Third, the authors review seventy-eight empirical studies (e.g., PET/fMRI, EEG, lesion studies) conducted between 1982 and 2016. They distinguish different empirical approaches to music and emotion in brain research and draw some general conclusions based on the results so far. The review reveals that some brain areas have been more or less consistently reported across studies, with partly distinct patterns for perception and induction of emotions, but that we still do not know what role each brain region plays in the emotion process. This is largely due to a lack of studies that attempt to manipulate underlying psychological mechanisms in a systematic manner. The chapter concludes by discussing the implications of the results and by making methodological recommendations for future research.","PeriodicalId":210705,"journal":{"name":"The Oxford Handbook of Music and the Brain","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Music and the Brain","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780198804123.013.13","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3
Abstract
This chapter presents a theoretical and empirical review of studies of the neural correlates of emotional responses to music. First, it outlines basic definitions and distinctions of the field of music and affect. Second, it describes an extensive theoretical framework that may serve to organize the domain. Third, the authors review seventy-eight empirical studies (e.g., PET/fMRI, EEG, lesion studies) conducted between 1982 and 2016. They distinguish different empirical approaches to music and emotion in brain research and draw some general conclusions based on the results so far. The review reveals that some brain areas have been more or less consistently reported across studies, with partly distinct patterns for perception and induction of emotions, but that we still do not know what role each brain region plays in the emotion process. This is largely due to a lack of studies that attempt to manipulate underlying psychological mechanisms in a systematic manner. The chapter concludes by discussing the implications of the results and by making methodological recommendations for future research.