La Nuit Épuisée: poïétique d’une insomnie collective

Nina Bigot
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Abstract

La Nuit Épuisée, poietic of a collective insomnia La Nuit Épuisée (2018), project on the initiative of Antoine d’Agata and Lea Bismuth, comes from a collective writing experience which tooks place during a sleepless night; consequently, it allows us to see the visual and textual marks left by the night on this photoliteracy silkscreened book. By analysing this work and each of his twelve leporelli, we can, like its authors, see what it’s only perceptible into the night. As much as poietic is, according to René Passeron, the science of the dynamic relationship between an artist and its artwork while he is struggling with it, this article analyses the context of creation of this book (a collective insomnia in a nightclub) and how it affects the plasticity and the writing of a book which intends to propose us a reading experience.
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疲惫的夜晚:集体失眠的诗学
La Nuit Épuisée(2018)是Antoine d 'Agata和Lea Bismuth发起的一个项目,它来自于一个不眠之夜的集体写作经历;因此,它可以让我们看到夜晚在这本光刻丝网印刷的书上留下的视觉和文字痕迹。通过分析这部作品和他的十二首leporelli中的每一首,我们可以像作者一样,看到只有在夜晚才能察觉到的东西。根据ren Passeron的说法,诗学是艺术家与作品之间动态关系的科学,而他正在努力与之斗争,本文分析了这本书的创作背景(夜总会的集体失眠),以及它如何影响可塑性和写作一本旨在向我们提出阅读体验的书。
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