How Do You Draw a Frog? A Visual Conversation

Amy Fung-yi Kiran Lee, Kiran Chandra
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Abstract

I opened up this project to Kiran with a rather structured idea about process—a blind drawing game whose rules resembled Exquisite Corpse. When I work on my own, I usually work within boundaries that describe the images and methods I believe suit me. With Kiran, I started simply by putting pencil to paper next to a friend I know, who loves drawing as much as I do. After beginning, I soon learned about Kiran’s process. She expressed to me that she learns through doing. So we drew (and ate, and chatted). These pages came from that. Neither of us would have done this on our own.We swapped drawings, reached over each other to find new materials, marked over each other’s work, and tried weird imagery just to see what the other would do with it. We lost track. This collaboration forged an exploratory path. An unknown place. These pages feel laid bare to me. There are “mistakes” and vulnerabilities. I actually changed and found that I am willing to bring imagery unlike myself into my own work again.
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如何画一只青蛙?视觉对话
我向Kiran开放了这个项目,并提出了一个关于过程的结构化想法——一个类似于《精致尸体》的盲画游戏。当我独自工作时,我通常在描述我认为适合我的图像和方法的边界内工作。对于Kiran,我只是简单地把铅笔放在纸上,旁边是我认识的一个朋友,他和我一样喜欢画画。开始之后,我很快就了解了基兰的过程。她向我表示,她是在实践中学习的。于是我们一起画画(吃饭、聊天)。这几页就是从那里来的。我们俩都不会单独做这件事。我们交换图纸,互相寻找新的材料,在彼此的作品上做标记,尝试奇怪的图像,只是想看看对方会怎么做。我们迷失了方向。这种合作开辟了一条探索性的道路。一个未知的地方。我觉得这几页是赤裸裸的。存在“错误”和漏洞。我真的改变了,我发现我愿意把不像我自己的意象再次带入我的作品中。
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