ABAI AS THE ARCHETYPE OF THE POET

M. Amangazykyzy, M. Orazbek, Zhanbota Sekey
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Abstract

This article clarifies and differentiates the concepts of the «archetype of the poet» by the example of the personality and creativity of Abay Kunanbayev. In this paper, for the first time, the origin and formation of the archetype of the poet in Kazakh literary studies is considered on the example of a real (and not literary) personality. The concept of the «archetype of the poet» is understood as a kind of dynamic changeable model existing in the cultural space. This provision does not contradict the definition of C.G. Jung and modern interpretations of the archetype in literary studies. The archetype of the poet is understood as a certain outstanding genius personality, which, due to its inherent individual qualities, may possess a number of symbolic, archetypal properties that place the personality of the poet (genius) in the timeless paradigm of culture. Thus, the archetype of the poet is considered from two positions due to the duality of his nature, namely, the presence of some initial, a priori properties and qualities in the archetype of the poet, and at the same time – the possibility of introducing new features into this archetype by the personality itself. Thus, the scientific and practical significance of the work consists in clarifying and differentiating the concept of the «archetype of the poet» on the example of the personality and creativity of Abay Kunanbayev, in further using the research materials to analyze the philosophical and aesthetic problems of the artistic heritage of the great poet. The proposed concept of the archetype of the poet can be used in university special courses and seminars when evaluating the reception creativity of writers.
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阿拜是诗人的原型
本文以库南巴耶夫的个性和创造力为例,对“诗人原型”的概念进行了澄清和辨析。本文首次以一个真实的(而非文学的)人格为例,考察哈萨克文学研究中诗人原型的起源和形成。“诗人原型”的概念被理解为一种存在于文化空间中的动态变化的模式。这一规定与荣格的定义和现代文学研究中对原型的解释并不矛盾。诗人的原型被理解为某种杰出的天才人格,由于其固有的个人特质,它可能具有许多象征性的、原型的属性,这些属性将诗人(天才)的人格置于永恒的文化范式中。因此,由于诗人本性的二重性,诗人的原型可以从两个角度来考虑,即诗人原型中存在一些初始的、先验的属性和品质,同时,人格本身也有可能为这个原型引入新的特征。因此,本文的科学和现实意义在于,以库南巴耶夫的个性和创造力为例,澄清和区分“诗人原型”的概念,并进一步利用研究资料分析这位伟大诗人艺术遗产的哲学和美学问题。所提出的诗人原型概念可用于大学的专题课程和研讨会,以评价作家的接受创造力。
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