Pub Date : 2024-03-15DOI: 10.55808/1999-4214.2024-1.19
G. Klychniyazova, G. Torebekovna
This article discusses the linguistic aspects of the formation of students' speech culture. The special role of sections of linguistics in the culture of speech is determined. A review and analysis of the work of foreign and domestic linguists and methodologists was carried out. Within the framework of the new directions of the language, we are talking about the basic principles and methods that are used and guided in the development of the language manifestations of the student's speech culture. In our article, we pay attention to the opinions of such scientists as: N.Uali, B.Kaliuly, M.Balakaev, F.Orazbaeva, Zh.Dauletbekova and others. It is confirmed that the level of the student's personal culture should be differentiated in forming and developing the student's speech culture. We will focus on such concepts as the relationship between word culture and personal culture, language purity and language communication, literary language norm, language culture, and study their interrelationship. It will be confirmed that word culture is one of the Kazakh national values. Conclusions are made for opinions on the correct use of common language materials and vocabulary. We should not forget that such sections of linguistics as: grammar, lexicology and phraseology play a very important role in the formation and development of students' speech culture. Because it can be assumed that a student who understands the basic laws and rules of language layers can also improve their speech culture. Of course, the influence of extralinguistic factors cannot be ruled out. However, it is an unshakable axiom that the sections of linguistics are directly related to the concept of speech culture. In the course of general scientific work, that is, before the solution and methodology of a specific problem, one of the main conditions is to determine the theoretical and methodological foundations of this problem. Therefore, we devote this article to clarifying the linguistic aspects of the formation of students' speech culture.
{"title":"LINGUISTIC ASPECTS OF THE FORMATION OF STUDENTS' SPEECH CULTURE","authors":"G. Klychniyazova, G. Torebekovna","doi":"10.55808/1999-4214.2024-1.19","DOIUrl":"https://doi.org/10.55808/1999-4214.2024-1.19","url":null,"abstract":"This article discusses the linguistic aspects of the formation of students' speech culture. The special role of sections of linguistics in the culture of speech is determined. A review and analysis of the work of foreign and domestic linguists and methodologists was carried out. Within the framework of the new directions of the language, we are talking about the basic principles and methods that are used and guided in the development of the language manifestations of the student's speech culture. In our article, we pay attention to the opinions of such scientists as: N.Uali, B.Kaliuly, M.Balakaev, F.Orazbaeva, Zh.Dauletbekova and others. It is confirmed that the level of the student's personal culture should be differentiated in forming and developing the student's speech culture. We will focus on such concepts as the relationship between word culture and personal culture, language purity and language communication, literary language norm, language culture, and study their interrelationship. It will be confirmed that word culture is one of the Kazakh national values. Conclusions are made for opinions on the correct use of common language materials and vocabulary. We should not forget that such sections of linguistics as: grammar, lexicology and phraseology play a very important role in the formation and development of students' speech culture. Because it can be assumed that a student who understands the basic laws and rules of language layers can also improve their speech culture. Of course, the influence of extralinguistic factors cannot be ruled out. However, it is an unshakable axiom that the sections of linguistics are directly related to the concept of speech culture. In the course of general scientific work, that is, before the solution and methodology of a specific problem, one of the main conditions is to determine the theoretical and methodological foundations of this problem. Therefore, we devote this article to clarifying the linguistic aspects of the formation of students' speech culture.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140391504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-15DOI: 10.55808/1999-4214.2024-1.11
A. Ibraikhanova
This article examines and analyzes the trace of legends and legends in the poems of the outstanding representative of Kazakh children's literature Sapargali Begalin. The purpose of the article is to separate the poet's poems from other works based on the plot of the legend, to study modernity in a new way, to popularize the creative aspect of the poet. Because the works of Sapargali Begalin, who made a significant contribution to Kazakh children's literature, are still classified by genre and are not considered separately. In the article, S. Begalina's poems Begalina «Kyran kegi», «Ur, tokpak», «Syrly kaynar», were analyzed and the specifics of the creation were determined. In the poet's poems, it was studied how he skillfully painted such scenes as the creation of images of characters, the disclosure of their spiritual world. Sapargali Begalin is a poet who has not gained a pen in all spheres of the literary genre. Having started his work by writing poetry, the writer, who also focused on heavy epic works, left behind prose works. The thematic area covering the creative heritage is very extensive, the genre character is complex, rich in artistic features, the main idea of his works, the elaboration of his work require many years of painstaking work. The works of this rich testator, which marked the beginning of today's scientific work, are part of a great work.
{"title":"MOTIFS OF FAIRY TALES AND LEGENDS IN THE POEMS OF SAPARGALI BEGALIN","authors":"A. Ibraikhanova","doi":"10.55808/1999-4214.2024-1.11","DOIUrl":"https://doi.org/10.55808/1999-4214.2024-1.11","url":null,"abstract":"This article examines and analyzes the trace of legends and legends in the poems of the outstanding representative of Kazakh children's literature Sapargali Begalin. The purpose of the article is to separate the poet's poems from other works based on the plot of the legend, to study modernity in a new way, to popularize the creative aspect of the poet. Because the works of Sapargali Begalin, who made a significant contribution to Kazakh children's literature, are still classified by genre and are not considered separately. In the article, S. Begalina's poems Begalina «Kyran kegi», «Ur, tokpak», «Syrly kaynar», were analyzed and the specifics of the creation were determined. In the poet's poems, it was studied how he skillfully painted such scenes as the creation of images of characters, the disclosure of their spiritual world. Sapargali Begalin is a poet who has not gained a pen in all spheres of the literary genre. Having started his work by writing poetry, the writer, who also focused on heavy epic works, left behind prose works. The thematic area covering the creative heritage is very extensive, the genre character is complex, rich in artistic features, the main idea of his works, the elaboration of his work require many years of painstaking work. The works of this rich testator, which marked the beginning of today's scientific work, are part of a great work.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140391895","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-15DOI: 10.55808/1999-4214.2024-1.14
K. Nurgali, K. Melnova
The article presents the theoretical foundations of world building in the genre of fantasy literature. In the context of the general category of fantasy literature, the creation of worlds is closely interrelated with science fiction. Consideration of the construction of the world can be divided into various aspects, depending on the point of view of the researcher. Some scientists divide into micro and macro levels, while others, without dividing it into two categories, analyze geography, biology, magic and culture in a single system. Practical guides for authors of fantasy literature describe in detail the process of world-building. The article examines the main groups that coincide among various researchers and authors of fantastic works, as well as variants of the worlds created by the authors. Such worlds include fictional, fictional, historical, or alternative worlds, as well as the original Earth. These categories of worlds fully or partially correspond to fantasy genres, revealing the main goals and intentions of the author. The influence of culture and the real world on the formation of the fictional world plays a special role. Fantasy is an excellent platform for exploring and uncovering the problems we face on a daily basis.
{"title":"THE BASICS OF WORLD-BUILDING IN THE WORKS OF THE FANTASY GENRE","authors":"K. Nurgali, K. Melnova","doi":"10.55808/1999-4214.2024-1.14","DOIUrl":"https://doi.org/10.55808/1999-4214.2024-1.14","url":null,"abstract":"The article presents the theoretical foundations of world building in the genre of fantasy literature. In the context of the general category of fantasy literature, the creation of worlds is closely interrelated with science fiction. Consideration of the construction of the world can be divided into various aspects, depending on the point of view of the researcher. Some scientists divide into micro and macro levels, while others, without dividing it into two categories, analyze geography, biology, magic and culture in a single system. Practical guides for authors of fantasy literature describe in detail the process of world-building. The article examines the main groups that coincide among various researchers and authors of fantastic works, as well as variants of the worlds created by the authors. Such worlds include fictional, fictional, historical, or alternative worlds, as well as the original Earth. These categories of worlds fully or partially correspond to fantasy genres, revealing the main goals and intentions of the author. The influence of culture and the real world on the formation of the fictional world plays a special role. Fantasy is an excellent platform for exploring and uncovering the problems we face on a daily basis.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140391799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-15DOI: 10.55808/1999-4214.2024-1.08
I. Akhmetova, A. Kaliyev, M. Aça
This article delves into the captivating world of birth rituals in Kazakh culture, uncovering the rich tapestry of traditions, customs, and beliefs surrounding the sacred process of bringing new life into the world. Drawing upon ethnographic research, historical records, and interviews with Kazakh elders, this study aims to provide a comprehensive exploration of the significance and evolution of birth rituals within the Kazakh and Turkish community. The article begins by setting the cultural context of Kazakh society, emphasizing the deeply rooted respect for family, community, and spiritual connection. It highlights the fundamental role of birth in perpetuating the Kazakh lineage and its influence on the social fabric of the community. Moreover, the article delves into the historical origins of these rituals, tracing their roots back to ancient nomadic traditions and the interplay between Islam and local animistic beliefs. The subsequent sections of the article meticulously examine the diverse stages of birth rituals, commencing with preparations leading up to childbirth, followed by the actual delivery process, and concluding with postpartum practices. Each stage is scrutinized in terms of its symbolic significance, associated practices, and the roles of key individuals involved, such as midwives, elders, and family members.
{"title":"THE ROLE OF WOMAN IN BIRTH RITUALS OF KAZAKH AND TURKISH PEOPLE","authors":"I. Akhmetova, A. Kaliyev, M. Aça","doi":"10.55808/1999-4214.2024-1.08","DOIUrl":"https://doi.org/10.55808/1999-4214.2024-1.08","url":null,"abstract":"This article delves into the captivating world of birth rituals in Kazakh culture, uncovering the rich tapestry of traditions, customs, and beliefs surrounding the sacred process of bringing new life into the world. Drawing upon ethnographic research, historical records, and interviews with Kazakh elders, this study aims to provide a comprehensive exploration of the significance and evolution of birth rituals within the Kazakh and Turkish community. The article begins by setting the cultural context of Kazakh society, emphasizing the deeply rooted respect for family, community, and spiritual connection. It highlights the fundamental role of birth in perpetuating the Kazakh lineage and its influence on the social fabric of the community. Moreover, the article delves into the historical origins of these rituals, tracing their roots back to ancient nomadic traditions and the interplay between Islam and local animistic beliefs. The subsequent sections of the article meticulously examine the diverse stages of birth rituals, commencing with preparations leading up to childbirth, followed by the actual delivery process, and concluding with postpartum practices. Each stage is scrutinized in terms of its symbolic significance, associated practices, and the roles of key individuals involved, such as midwives, elders, and family members.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140391563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-15DOI: 10.55808/1999-4214.2024-1.01
A. Alpysbayeva, S. Ashymkhanova, M. Abdimanapova
The article examines the features of the translation of linguapoetics elements into Russian and English in Magzhan Zhumabaev’s poem “To Madam Gulsim”. Poetic translation is the highest peak of literary translation. Deep, subtextual thoughts are brought into a certain rhythmic form by various artistic and figurative means, and when every word becomes important, the burden placed on the translator becomes heavier. Translation into other languagesof the poetry of Magzhan, a master of the poetic word, is only now being studied. Therefore, we aim to identify successful moments of translation and emerging gaps, comparing artistic and visual means that meet the aesthetic effect in the original and translated text from a lexical-semantic and structural point of view. Also, in the original/translation pair, external parameters and structure are analyzed that give the poem a certain melody and rhythm at the level of syllables, stanzas and rhymes. The results of the study determine the quality of translations of the poet’s po- etry and further contribute to enriching the experience of translation into foreign languages. It is determined which poetry translation strategy (According to J. Holmes and A. Lefever) corresponds to three versions of the translation in Russian and the English translation, and the extent to which it influenced the original content and idea, the artistic form, is interpreted. Currently, only twenty of the poet’s poems have been translated into English. Since Russian serves as an intermediate language for many translations, Russian translations require special analysis.
文章探讨了马格占-朱马巴耶夫的诗作《致古尔西姆夫人》中语言学元素俄英互译的特点。诗歌翻译是文学翻译的最高峰。深邃的潜台词通过各种艺术和形象的手段被带入一定的韵律形式中，当每一个词都变得重要时，译者身上的担子就变得更重了。马占山是一位诗歌文字大师，他的诗歌翻译成其他语言的研究现在才刚刚开始。因此，我们的目标是找出翻译的成功之处和新出现的差距，从词汇-语义和结构的角度比较符合原文和译文审美效果的艺术和视觉手段。此外，还分析了原文/译文中的外部参数和结构，这些参数和结构在音节、句子和韵律层面赋予了诗歌一定的旋律和节奏。研究结果决定了诗人诗歌的翻译质量，并进一步有助于丰富外语翻译经验。研究确定了三种版本的俄文译本和英文译本所对应的诗歌翻译策略（根据 J. Holmes 和 A. Lefever），并对其对原文内容和思想、艺术形式的影响程度进行了解读。目前，诗人只有 20 首诗歌被翻译成英文。由于俄语是许多翻译的中间语言，因此需要对俄语翻译进行特别分析。
{"title":"LINGUOPOEICS OF M. ZHUMABAYEV’S POEM “TO MADAME GULSIM” AND ITS REFLECTION IN TRANSLATION","authors":"A. Alpysbayeva, S. Ashymkhanova, M. Abdimanapova","doi":"10.55808/1999-4214.2024-1.01","DOIUrl":"https://doi.org/10.55808/1999-4214.2024-1.01","url":null,"abstract":"The article examines the features of the translation of linguapoetics elements into Russian and English in Magzhan Zhumabaev’s poem “To Madam Gulsim”. Poetic translation is the highest peak of literary translation. Deep, subtextual thoughts are brought into a certain rhythmic form by various artistic and figurative means, and when every word becomes important, the burden placed on the translator becomes heavier. Translation into other languagesof the poetry of Magzhan, a master of the poetic word, is only now being studied. Therefore, we aim to identify successful moments of translation and emerging gaps, comparing artistic and visual means that meet the aesthetic effect in the original and translated text from a lexical-semantic and structural point of view. Also, in the original/translation pair, external parameters and structure are analyzed that give the poem a certain melody and rhythm at the level of syllables, stanzas and rhymes. The results of the study determine the quality of translations of the poet’s po- etry and further contribute to enriching the experience of translation into foreign languages. It is determined which poetry translation strategy (According to J. Holmes and A. Lefever) corresponds to three versions of the translation in Russian and the English translation, and the extent to which it influenced the original content and idea, the artistic form, is interpreted. Currently, only twenty of the poet’s poems have been translated into English. Since Russian serves as an intermediate language for many translations, Russian translations require special analysis.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140391568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-15DOI: 10.55808/1999-4214.2024-1.12
Nagbdu Kamarova, Baktybay Zhailovov
This article examines the contribution of Abish Kekilbayuly to lit- erary studies. His role as a literary scholar is to study the works of famous poets and writers, and his conclusions related to literary theory are enriched and substantiated in his literary and educational scientific articles. The purpose of the article is to summarize the literary and literary criticism of literary critic A.Kekilbayuly about literature, scientific, literary, educational and criti- cal thoughts that arose during the study of creative laboratories of writers. To realize this goal, scientific, research and educational articles by A.Kekilbayuly were selected and taken as the object of research, showing his literary skills. The article uses methods of review, description, systematization, analysis, and comparison. As a scientific novelty, this article for the first time analyzes and studies the scientific nature of the literary aspect of Abish Kekilbayuly within the framework of his literary and scientific articles related to the theory of literature. The works of a literary critic are examined and evaluated from the heights of modern literary criti- cism. It is emphasized that the key thoughts and literary reflections of the scientist in each of his articles, rational judments are precious things that never lose their value. This article, which analyzes A. Kekilbayuly’s scientific ideas about aesthetic and cognitive thought and writers, a creative laboratory, literary trends and literary movements, literary style and other literary theories, allows it to be used as addition- al material in special courses related to literary studies and evaluate A. Kekilbayuly as a literary critic.
{"title":"ABISH KEKILBAYULY – LITERARY SCIENTIST","authors":"Nagbdu Kamarova, Baktybay Zhailovov","doi":"10.55808/1999-4214.2024-1.12","DOIUrl":"https://doi.org/10.55808/1999-4214.2024-1.12","url":null,"abstract":"This article examines the contribution of Abish Kekilbayuly to lit- erary studies. His role as a literary scholar is to study the works of famous poets and writers, and his conclusions related to literary theory are enriched and substantiated in his literary and educational scientific articles. The purpose of the article is to summarize the literary and literary criticism of literary critic A.Kekilbayuly about literature, scientific, literary, educational and criti- cal thoughts that arose during the study of creative laboratories of writers. To realize this goal, scientific, research and educational articles by A.Kekilbayuly were selected and taken as the object of research, showing his literary skills. The article uses methods of review, description, systematization, analysis, and comparison. As a scientific novelty, this article for the first time analyzes and studies the scientific nature of the literary aspect of Abish Kekilbayuly within the framework of his literary and scientific articles related to the theory of literature. The works of a literary critic are examined and evaluated from the heights of modern literary criti- cism. It is emphasized that the key thoughts and literary reflections of the scientist in each of his articles, rational judments are precious things that never lose their value. This article, which analyzes A. Kekilbayuly’s scientific ideas about aesthetic and cognitive thought and writers, a creative laboratory, literary trends and literary movements, literary style and other literary theories, allows it to be used as addition- al material in special courses related to literary studies and evaluate A. Kekilbayuly as a literary critic.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140391721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-15DOI: 10.55808/1999-4214.2024-1.17
A. Khamidova, M. Kanafina, A. Zhumsakbayev
The article studies the image of sinners based on the drama «Thunderstorm» written by A.N. Ostrovsky. This issue is related to the prototype theory, which is based on the image, motivation and plot of the work with similar characteristics to the mythological component.In this way, it can be concluded that the creativity of literature comes from mythology. In this regard, the concept of «eternal image» appeared in literary criticism, which has a certain value to world literature. An important motive of classical literature is depravity. However, this motive is away to shape the image of a sinner.This image exists in different versions of Russian literature:that is, the heroine engaged in prostitution, the «tempted and abandoned» and unfaithful wife, the «camellia»(ladies of the demimonde, kept women) and others.The motives and plots of the hypostases of the image of the sinner are reduced to a certain archetypal semantic core, which is characteristic of Russian literature. The sinner refers to the sufferer in Russian literature; the path is from sin to rebirth, and the events will develop in the following order: «fall-repentance- suffering-redemption-salvation». This paradigm is obviously based on the Christian understanding of sin, mainly referring to the biblical story of the Savior and the repentant prostitute, and is related to the theological triad «sin-repentance- salvation». The analysis of the image of the sinner Katerina in the drama «Drama» by A.N. Ostrovsky is based on a single semantic archetypal core. And this type of unfaithful wife is depicted through a moral and religious understanding of sin, directly related to the concepts of guilt and shame, as well as a philosophical approach to the concept of this category, revealed in the image of the «holy harlot» through the realization of the concept of repentance and forgiveness.
{"title":"THE IMAGE OF A SINNER IN DRAMA «THUNDERSTORM» OF A.N. OSTROVSKY","authors":"A. Khamidova, M. Kanafina, A. Zhumsakbayev","doi":"10.55808/1999-4214.2024-1.17","DOIUrl":"https://doi.org/10.55808/1999-4214.2024-1.17","url":null,"abstract":"The article studies the image of sinners based on the drama «Thunderstorm» written by A.N. Ostrovsky. This issue is related to the prototype theory, which is based on the image, motivation and plot of the work with similar characteristics to the mythological component.In this way, it can be concluded that the creativity of literature comes from mythology. In this regard, the concept of «eternal image» appeared in literary criticism, which has a certain value to world literature. An important motive of classical literature is depravity. However, this motive is away to shape the image of a sinner.This image exists in different versions of Russian literature:that is, the heroine engaged in prostitution, the «tempted and abandoned» and unfaithful wife, the «camellia»(ladies of the demimonde, kept women) and others.The motives and plots of the hypostases of the image of the sinner are reduced to a certain archetypal semantic core, which is characteristic of Russian literature. The sinner refers to the sufferer in Russian literature; the path is from sin to rebirth, and the events will develop in the following order: «fall-repentance- suffering-redemption-salvation». This paradigm is obviously based on the Christian understanding of sin, mainly referring to the biblical story of the Savior and the repentant prostitute, and is related to the theological triad «sin-repentance- salvation». The analysis of the image of the sinner Katerina in the drama «Drama» by A.N. Ostrovsky is based on a single semantic archetypal core. And this type of unfaithful wife is depicted through a moral and religious understanding of sin, directly related to the concepts of guilt and shame, as well as a philosophical approach to the concept of this category, revealed in the image of the «holy harlot» through the realization of the concept of repentance and forgiveness.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140391966","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-15DOI: 10.55808/1999-4214.2024-1.13
L. Nogaibekkyzy, S. Daribaev
This article explains a venerable concept that has recently been explored in the field of literary studies. This concept has been reflected in the culture and spiritual life of the people since ancient times. The concept of honoring the sacred world, which is completely intertwined with the Kazakh’s own worldview, customs and family life, reveals the essence of the people. It is known that the Kazakh people, rocking their babies to sleep with lullabies, occupy a leading position in national education. That is why in this work the concept of veneration, which is the main object of research, was considered in the context of the rite of laying in the cradle and poems associated with this rite. We learned the essence of our national character from folklore, saw and clearly distinguished the spiritual nature of the people from the works described in words. However, behind our precious treasure there are still many things to be explored. In the 21st century, when different cultures meet, it is not enough to define Kazakh values; to preserve the national spirit, it is necessary to widely promote the image of national culture - cherished Kazakh concepts. In this article, we have looked at the content of some traditions that have changed over time and considered their meaning. Within the framework of the topic, we have highlighted the concept of sacredness, which, together with the rite, is inextricably linked and testifies to the culture of a particular period. In the course of the article, focusing on the origin of the concept of the sacred, it talks about sacred things that have been evident from the very beginning of human existence.
{"title":"SACRED CONCEPTS ASSOCIATED WITH THE RITUAL OF LAYING DOWN A CHILD IN THE CRADLE","authors":"L. Nogaibekkyzy, S. Daribaev","doi":"10.55808/1999-4214.2024-1.13","DOIUrl":"https://doi.org/10.55808/1999-4214.2024-1.13","url":null,"abstract":"This article explains a venerable concept that has recently been explored in the field of literary studies. This concept has been reflected in the culture and spiritual life of the people since ancient times. The concept of honoring the sacred world, which is completely intertwined with the Kazakh’s own worldview, customs and family life, reveals the essence of the people. It is known that the Kazakh people, rocking their babies to sleep with lullabies, occupy a leading position in national education. That is why in this work the concept of veneration, which is the main object of research, was considered in the context of the rite of laying in the cradle and poems associated with this rite. We learned the essence of our national character from folklore, saw and clearly distinguished the spiritual nature of the people from the works described in words. However, behind our precious treasure there are still many things to be explored. In the 21st century, when different cultures meet, it is not enough to define Kazakh values; to preserve the national spirit, it is necessary to widely promote the image of national culture - cherished Kazakh concepts. In this article, we have looked at the content of some traditions that have changed over time and considered their meaning. Within the framework of the topic, we have highlighted the concept of sacredness, which, together with the rite, is inextricably linked and testifies to the culture of a particular period. In the course of the article, focusing on the origin of the concept of the sacred, it talks about sacred things that have been evident from the very beginning of human existence.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140392107","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-15DOI: 10.55808/1999-4214.2024-1.05
F. Kurmangali, G. Mamayeva, A. Bayimbetova
Phraseologisms are one of the language units that provide a lot of information about the history, culture, spiritual values, worldview and lifestyle of a certain nation. The phraseological fund of any language includes the culture, mentality, knowledge and traditions of the nation as much as possible. One of the urgent problems in modern linguistics is to determine the characteristic features of each nation based on the information stored in its language. In particular, the study of languages that are not closely related by genealogy, based on the position of new trends in linguistics, opens the way to great opportunities. Systematizing phraseological units in Kazakh and German, Kazakh and Romanian languages and conducting a comparative study of them is becoming the main object of domestic linguistics today. In the course of the research, methods such as collection, comparison, analysis, summarization, and conclusion were widely used. Phraseological phrases in Kazakh and English languages were analyzed from the semantic, linguisticand cultural aspects. The main features of idiomatic phrases in the Kazakh and English languages were determined, and the history of the origin of English idioms was considered. The results of the research made it possible to determine the connection of phraseological units defining the unique characteristics of each nation with national knowledge and national culture. In the article, it was concluded that regular expressions are the source of the lexical fund of every nation, that they have been formed over centuries and that the people observe the unique worldview of each nation, that it is the language wealth of the nation. In the article, it was determined that regular phrases are sources of ethno- cultural data, a unique linguistic basis for determining the national code.
{"title":"NATIONALCULTURALCONNOTATIONOFREGULAREXPRESSIONSAND NATIONAL CODE IN KAZAKH AND ENGLISH LANGUAGES","authors":"F. Kurmangali, G. Mamayeva, A. Bayimbetova","doi":"10.55808/1999-4214.2024-1.05","DOIUrl":"https://doi.org/10.55808/1999-4214.2024-1.05","url":null,"abstract":"Phraseologisms are one of the language units that provide a lot of information about the history, culture, spiritual values, worldview and lifestyle of a certain nation. The phraseological fund of any language includes the culture, mentality, knowledge and traditions of the nation as much as possible. One of the urgent problems in modern linguistics is to determine the characteristic features of each nation based on the information stored in its language. In particular, the study of languages that are not closely related by genealogy, based on the position of new trends in linguistics, opens the way to great opportunities. Systematizing phraseological units in Kazakh and German, Kazakh and Romanian languages and conducting a comparative study of them is becoming the main object of domestic linguistics today. In the course of the research, methods such as collection, comparison, analysis, summarization, and conclusion were widely used. Phraseological phrases in Kazakh and English languages were analyzed from the semantic, linguisticand cultural aspects. The main features of idiomatic phrases in the Kazakh and English languages were determined, and the history of the origin of English idioms was considered. The results of the research made it possible to determine the connection of phraseological units defining the unique characteristics of each nation with national knowledge and national culture. In the article, it was concluded that regular expressions are the source of the lexical fund of every nation, that they have been formed over centuries and that the people observe the unique worldview of each nation, that it is the language wealth of the nation. In the article, it was determined that regular phrases are sources of ethno- cultural data, a unique linguistic basis for determining the national code.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140392227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2024-03-15DOI: 10.55808/1999-4214.2024-1.02
D. Baltabay
The study of monuments of historical writing in the linguistic aspect is of great importance for linguistics. The research article analyzes the etymology of the words qaryndas, elshi, eñbek and baila- verb found in the work «Shezhire-i terakime». The use of these words in ancient Turkic written monuments, medieval heritage and modern Turkic languages is described. The main goal of the study was to determine the etymology of Turkish words. Hypothetical opinions of Altaic and Turkic scientists are given during the research. The work of Abulgazy Bahadur Khan “Shezhire-i terakime” is a medieval work written in the Chagatai language. Its lexical layer consists of Turkic, Mongolian, Arabic, and Persian words. Also, the mixed use of Oghuz, Kipchak, Karluk-Uighur elements in the language of the work indicates that the Chagatai language was a common written language for the Turkic peoples. Therefore, the lexical-semantic study of the historical work, which we took as an object, and the determination of the etymology of Turkic words in it speaks of the relevance of the study. To differentiate theoretical conclusions, the article uses the method of analysis, the method of semantic analysis, the descriptive method, and the historical- comparative method.
{"title":"ETYMOLOGY OF SOME TURKIC WORDS IN THE WORK SHEZHIRE-I TERAKIME","authors":"D. Baltabay","doi":"10.55808/1999-4214.2024-1.02","DOIUrl":"https://doi.org/10.55808/1999-4214.2024-1.02","url":null,"abstract":"The study of monuments of historical writing in the linguistic aspect is of great importance for linguistics. The research article analyzes the etymology of the words qaryndas, elshi, eñbek and baila- verb found in the work «Shezhire-i terakime». The use of these words in ancient Turkic written monuments, medieval heritage and modern Turkic languages is described. The main goal of the study was to determine the etymology of Turkish words. Hypothetical opinions of Altaic and Turkic scientists are given during the research. The work of Abulgazy Bahadur Khan “Shezhire-i terakime” is a medieval work written in the Chagatai language. Its lexical layer consists of Turkic, Mongolian, Arabic, and Persian words. Also, the mixed use of Oghuz, Kipchak, Karluk-Uighur elements in the language of the work indicates that the Chagatai language was a common written language for the Turkic peoples. Therefore, the lexical-semantic study of the historical work, which we took as an object, and the determination of the etymology of Turkic words in it speaks of the relevance of the study. To differentiate theoretical conclusions, the article uses the method of analysis, the method of semantic analysis, the descriptive method, and the historical- comparative method.","PeriodicalId":332122,"journal":{"name":"Bulletin of the Eurasian Humanities Institute, Philology Series","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2024-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140392008","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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