{"title":"Creative Challenges in the Production of Documentary Animation","authors":"Sheila M. Sofian","doi":"10.3366/edinburgh/9780748694112.003.0014","DOIUrl":null,"url":null,"abstract":"In this chapter, Sheila M. Sofian examines animated documentary from a filmmaker’s perspective. This chapter explores the appropriateness of animation’s use within nonfiction film. This chapter also asks how and when animation’s use might enhance audience understanding of a given documentary topic, and how and when it might distract from the same. The chapter also examines whether animation’s use in documentary reveals the filmmaking process in a more overt fashion than witnessed within live action documentary, and what controversies arise as a result. This chapter discusses these and other issues through reflective accounts of the production and exhibition of Sofian’s own animated documentary films. In discussing these works, this chapter examines the creative process of animated documentary production and the unique challenges faced when producing non-fiction animated films. The relationship between sound and image, choice of animation technique, and the effectiveness of literal versus abstract imagery are all topics explored.","PeriodicalId":272749,"journal":{"name":"Drawn from Life","volume":"71 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Drawn from Life","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9780748694112.003.0014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In this chapter, Sheila M. Sofian examines animated documentary from a filmmaker’s perspective. This chapter explores the appropriateness of animation’s use within nonfiction film. This chapter also asks how and when animation’s use might enhance audience understanding of a given documentary topic, and how and when it might distract from the same. The chapter also examines whether animation’s use in documentary reveals the filmmaking process in a more overt fashion than witnessed within live action documentary, and what controversies arise as a result. This chapter discusses these and other issues through reflective accounts of the production and exhibition of Sofian’s own animated documentary films. In discussing these works, this chapter examines the creative process of animated documentary production and the unique challenges faced when producing non-fiction animated films. The relationship between sound and image, choice of animation technique, and the effectiveness of literal versus abstract imagery are all topics explored.
在本章中,Sheila M. Sofian从电影制作人的角度审视了动画纪录片。本章探讨了动画在非虚构电影中的恰当性。本章还探讨了动画的使用如何以及何时可以增强观众对给定纪录片主题的理解,以及如何以及何时可以分散观众的注意力。本章还研究了动画在纪录片中的使用是否比在真人纪录片中更公开地揭示了电影制作过程,以及由此产生的争议。本章通过反思索菲亚自己的动画纪录片的制作和展览来讨论这些问题和其他问题。在讨论这些作品时,本章考察了动画纪录片制作的创作过程以及制作非虚构动画电影时面临的独特挑战。声音与图像之间的关系,动画技术的选择,以及文字与抽象图像的有效性都是探讨的主题。