PERSONAL CONFLICT IN GOHATTO: BETWEEN LIFE AND DEATH

Jurnal KATA Pub Date : 2021-10-29 DOI:10.22216/kata.v5i2.424
Marisa Rianti Sutanto, Ethel Deborah Lewerissa, Kata Kunci
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Abstract

This article discusses the personal conflicts between five characters in the film Gohatto. Gohatto is a film by Japanese director, Oshima Nagisa, released in 1999. Director Oshima is one of the legendary directors in Japan who is famous for his works that elevate the uniqueness of the human personality. Likewise, with Gohatto's work, Oshima raises the fluctuation of human desires that clash with tradition and morals, and in the end meet death. The film is set in the bakumatsu era (1853-1869) and tells of the lives of swordsmen in the Shinsengumi group whose job is to protect the Tokugawa shogunate. The uniqueness of this film is that it does not exploit the heroics of samurai who express themselves under the shackles of bushido morality, but rather presents homosexuality in the lives of the swordsmen in this group. This paper will also discuss personal conflicts in five major characters, through a review of the characters’ actions based on the drive that emerge from both the conscious mind and unconscious minds. The method that will be used is psychoanalysis which refers to the theory of Sigmund Freud. The id drive which is the cause of the conflict appears dominant in the five characters and overcomes the bushido morality which is the sublime characteristic of the samurai.
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gohatto中的个人冲突:生与死
本文讨论了电影《戈哈托》中五个角色之间的个人冲突。Gohatto是日本导演大岛渚的一部电影,于1999年上映。大岛渚导演是日本的传奇导演之一,他的作品以提升人类个性的独特性而闻名。同样,大岛渚通过后羽人的作品,唤起了人类欲望的波动,这些欲望与传统和道德发生冲突,最终与死亡相遇。这部电影以幕府时代(1853-1869)为背景,讲述了以保护德川幕府为任务的新仙组剑士们的生活。这部电影的独特之处在于,它没有利用武士在武士道道德的束缚下表达自己的英雄主义,而是在这个群体的剑客生活中呈现同性恋。本文还将讨论五个主要角色的个人冲突,通过对角色行为的回顾,这些行为基于意识和无意识的驱动。我们将使用的方法是参照西格蒙德·弗洛伊德理论的精神分析学。作为冲突根源的本我驱力在五人篇中占据主导地位,并压倒了武士的崇高特征武士道道德。
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