Agus Sariono, Anastasia Erna Rochiyati Sudarmaningtyas, Edy Hariyadi, A. Setyari
The purpose of this study is to reveal the types of lexical verbs that mean "to cure" and the forms of their distinguishing components in the Osing language in Banyuwangi Regency. The research data is in the form of a verb which means 'to cure', which is obtained through observation, interviews, and documentation methods, using note-taking and snowball techniques. The classified data were analyzed using the meaning component analysis method with lexical distinguishing characteristics in the form of actors, objects, ways, places, directions, frequency of activities, goals, focus, time, and tools with binary techniques (using the plus sign (₊) means having characteristics; a minus sign ( -) means uncharacteristically, and a plus-minus sign ((± ) means both characterized and uncharacterized, to find out the steps for treating medical, vein, and non-medical diseases. The results show that based on the method component, verb There are 25 types of treating in the Osing language.
{"title":"THE MEDICAL TRADITIONS OF INDONESIAN- OSING- ETHNIC: TYPES OF LEXICAL MEANING OF TREAT VERB IN OSING LANGUAGES","authors":"Agus Sariono, Anastasia Erna Rochiyati Sudarmaningtyas, Edy Hariyadi, A. Setyari","doi":"10.22216/kata.v6i2.1556","DOIUrl":"https://doi.org/10.22216/kata.v6i2.1556","url":null,"abstract":"The purpose of this study is to reveal the types of lexical verbs that mean \"to cure\" and the forms of their distinguishing components in the Osing language in Banyuwangi Regency. The research data is in the form of a verb which means 'to cure', which is obtained through observation, interviews, and documentation methods, using note-taking and snowball techniques. The classified data were analyzed using the meaning component analysis method with lexical distinguishing characteristics in the form of actors, objects, ways, places, directions, frequency of activities, goals, focus, time, and tools with binary techniques (using the plus sign (₊) means having characteristics; a minus sign ( -) means uncharacteristically, and a plus-minus sign ((± ) means both characterized and uncharacterized, to find out the steps for treating medical, vein, and non-medical diseases. The results show that based on the method component, verb There are 25 types of treating in the Osing language.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127630088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Wakamono kotoba is a language that always change. In wakamono kotoba, sound change phenomenon could be found and affected the word class and word meaning. The purpose of this research is to understand what kind of sound change that occurred to wakamono kotoba, word formation and meaning change happened. The research used qualitative research methodology from library study with descriptive analysis method. Theories used were morphophonemic theory stated by Koizumi (1993) and Suzuki (1975), word formation theory stated by Sakuma (2008), denotative and connotative meaning stated by Sakuma (2008) and meaning expansion-reduction by Saito (2013). The data was taken from a ranking article of wakamono kotoba in Jikitourai website. From this research, it can be concluded that in wakamono kotoba, there are 9 patterns of sound change in which 5 are new patterns, 7 types of word formation with one new formation, and not all wakamono kotoba undergo meaning change.
{"title":"SOUND CHANGE IN JAPANESE WAKAMONO KOTOBA: MORPHOPHONEMIC AND SEMANTIC STUDY","authors":"Julie Angelina, U. Novella","doi":"10.22216/kata.v6i2.497","DOIUrl":"https://doi.org/10.22216/kata.v6i2.497","url":null,"abstract":"Wakamono kotoba is a language that always change. In wakamono kotoba, sound change phenomenon could be found and affected the word class and word meaning. The purpose of this research is to understand what kind of sound change that occurred to wakamono kotoba, word formation and meaning change happened. The research used qualitative research methodology from library study with descriptive analysis method. Theories used were morphophonemic theory stated by Koizumi (1993) and Suzuki (1975), word formation theory stated by Sakuma (2008), denotative and connotative meaning stated by Sakuma (2008) and meaning expansion-reduction by Saito (2013). The data was taken from a ranking article of wakamono kotoba in Jikitourai website. From this research, it can be concluded that in wakamono kotoba, there are 9 patterns of sound change in which 5 are new patterns, 7 types of word formation with one new formation, and not all wakamono kotoba undergo meaning change. \u0000 ","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133970213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study uses the novel Pulang by Leila S. Chudori with the aim of dismantling the representation of nationalism depicted through food in literary works. This study uses a qualitative descriptive research method with a gastrocritical approach, a research paradigm to analyze culinary literature and semiotics to uncover signs in the text. The results of this study reveal that there are 2 types of food found in the narrative of the novel, namely spices and food. Both types of food are symbols as representations of nationalism described by the characters. Then, the fluid fabric in the narrative structure of this novel presents ideological issues related to a sense of ownership, love for the homeland, and an identity that is maintained by the exiled characters and other characters through food.
本研究以Leila S. Chudori的小说《Pulang》为例，旨在拆解文学作品中透过食物所描绘的民族主义表征。本研究采用定性描述性研究方法，结合胃批判方法，研究范式来分析烹饪文献和符号学，以揭示文本中的符号。本研究的结果表明，在小说的叙事中发现了两种食物，即香料和食物。这两种食物都是角色所描述的民族主义的象征。其次，小说叙事结构中的流动结构呈现出与主人翁意识、对故土的热爱以及流亡人物和其他人物通过食物维持的身份认同相关的意识形态问题。
{"title":"CULINARY AS A REPRESENTATION OF NATIONALISM IN THE NOVEL PULANG BY LEILA S. CHUDORI","authors":"Roh Jung Ju, M. Yoesoef, T. Setyani","doi":"10.22216/kata.v6i2.860","DOIUrl":"https://doi.org/10.22216/kata.v6i2.860","url":null,"abstract":"This study uses the novel Pulang by Leila S. Chudori with the aim of dismantling the representation of nationalism depicted through food in literary works. This study uses a qualitative descriptive research method with a gastrocritical approach, a research paradigm to analyze culinary literature and semiotics to uncover signs in the text. The results of this study reveal that there are 2 types of food found in the narrative of the novel, namely spices and food. Both types of food are symbols as representations of nationalism described by the characters. Then, the fluid fabric in the narrative structure of this novel presents ideological issues related to a sense of ownership, love for the homeland, and an identity that is maintained by the exiled characters and other characters through food.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128249362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
For the millennial generation, folklore is considered boring as a product of tradition. This generation prefers instant things and tends to avoid time-consuming processes. On the other hand, folklore is a product of tradition, which is more concerned with the process. However, it seems that folklore survives and even develops the following technological developments cross-generational. Folklore has adapted and changed into new forms in cyberspace. This article explains memes' visual variations and meanings with Minangkabau folklore content. There is a change in appearance and sense of folklore in internet memes. As a product of social practice, memes are also seen as an element of social processes. Therefore, this study uses social semiotics as an analysis tool. The result shows that in addition to showing creativity in building new folklore, memes also showed a shift in the understanding of traditional folklore. Memes also show the process and form of evolution of folklore so that it can survive in the rapid development of information technology. It contains hidden messages and statements in memes as a representation of attitudes towards social conditions and behavior.
{"title":"EVOLUTION OR TRANSFORMATION ? TRACING THE MINANGKABAU FOLKLORE IN MEME","authors":"S. Gayatri, H. N. Hidayat","doi":"10.22216/kata.v6i2.989","DOIUrl":"https://doi.org/10.22216/kata.v6i2.989","url":null,"abstract":"For the millennial generation, folklore is considered boring as a product of tradition. This generation prefers instant things and tends to avoid time-consuming processes. On the other hand, folklore is a product of tradition, which is more concerned with the process. However, it seems that folklore survives and even develops the following technological developments cross-generational. Folklore has adapted and changed into new forms in cyberspace. This article explains memes' visual variations and meanings with Minangkabau folklore content. There is a change in appearance and sense of folklore in internet memes. As a product of social practice, memes are also seen as an element of social processes. Therefore, this study uses social semiotics as an analysis tool. The result shows that in addition to showing creativity in building new folklore, memes also showed a shift in the understanding of traditional folklore. Memes also show the process and form of evolution of folklore so that it can survive in the rapid development of information technology. It contains hidden messages and statements in memes as a representation of attitudes towards social conditions and behavior.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130463065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Agata Krismonita Permatasari, Remigius Kunjana Rahardi, Pembelajaran Bahasa, Karakter Siswa
This study aims to describe the mapping of metaphorical and naturalistic ecolinguistic dimensions in Indonesian language learning in universities. The type of research used in this research is the descriptive qualitative method. The instrument in this research is the human instrument, namely the researcher himself. Data collection using the free-to-conversation listening method by using note-taking techniques as a follow-up. qualitative interactive analysis technique and there are several stages, namely the activities of reduction, presentation, and conclusion. The results of this study indicate that the form of the study of ecolinguistic dimensions in Indonesian language learning in universities is integrated into the form of inserting scientific texts that discuss local wisdom and mentioning the names of flora/fauna. The insertion of these texts was mapped into two categories, the text containing the metaphorical ecolinguistic dimension about activities related to local wisdom in learning the report text material and the second mapping, namely the naturalistic ecolinguistic dimension which discussed the meaning of flora/fauna embedded in naming people in Javanese culture. Then, the relevance of the study of ecolinguistic dimensions in Indonesian language learning can develop character and restore interaction, interrelation, and interdependence with the student's living environment.
{"title":"MAPPING METAPHORIC AND NATURALISTIC ECOLINGUISTIC DIMENSIONS IN LEARNING THE INDONESIAN LANGUAGE AT THE UNIVERSITY","authors":"Agata Krismonita Permatasari, Remigius Kunjana Rahardi, Pembelajaran Bahasa, Karakter Siswa","doi":"10.22216/kata.v6i2.1362","DOIUrl":"https://doi.org/10.22216/kata.v6i2.1362","url":null,"abstract":"This study aims to describe the mapping of metaphorical and naturalistic ecolinguistic dimensions in Indonesian language learning in universities. The type of research used in this research is the descriptive qualitative method. The instrument in this research is the human instrument, namely the researcher himself. Data collection using the free-to-conversation listening method by using note-taking techniques as a follow-up. qualitative interactive analysis technique and there are several stages, namely the activities of reduction, presentation, and conclusion. The results of this study indicate that the form of the study of ecolinguistic dimensions in Indonesian language learning in universities is integrated into the form of inserting scientific texts that discuss local wisdom and mentioning the names of flora/fauna. The insertion of these texts was mapped into two categories, the text containing the metaphorical ecolinguistic dimension about activities related to local wisdom in learning the report text material and the second mapping, namely the naturalistic ecolinguistic dimension which discussed the meaning of flora/fauna embedded in naming people in Javanese culture. Then, the relevance of the study of ecolinguistic dimensions in Indonesian language learning can develop character and restore interaction, interrelation, and interdependence with the student's living environment.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"196 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123137171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Alienation causes workers to feel separated and alienated from the work they are doing so that work becomes a foreign and pseudo experience. The alienation experienced by workers can not only be found in everyday life but also becomes the theme of stories in literary works. One of the literary works with the theme of alienation is the novel Koujou by Hiroko Oyamada. This article examines the alienation of temporary workers in Koujou's novel. The temporary worker alienation is shown through the character of Yoshiko Ushimaya and the character of an older brother. The research problem is examined by the alienation theory of Karl Marx and the development of the alienation theory by Melvin Seeman. This research was conducted by applying a qualitative method. Based on the research results, it can be seen that in novel Koujou the alienation of temporary workers is described in the form of 1) alienation from self-potential; 2) alienation from products and production processes; 3) alienation from other workers; and 4) alienation from the meaning of work.
{"title":"TEMPORARY WORKER ALIENATION IN HIROKO OYAMADA’S NOVEL KOUJOU","authors":"Ni Luh Putu Ari Sulatri, Silvia Damayanti","doi":"10.22216/kata.v6i2.767","DOIUrl":"https://doi.org/10.22216/kata.v6i2.767","url":null,"abstract":"Alienation causes workers to feel separated and alienated from the work they are doing so that work becomes a foreign and pseudo experience. The alienation experienced by workers can not only be found in everyday life but also becomes the theme of stories in literary works. One of the literary works with the theme of alienation is the novel Koujou by Hiroko Oyamada. This article examines the alienation of temporary workers in Koujou's novel. The temporary worker alienation is shown through the character of Yoshiko Ushimaya and the character of an older brother. The research problem is examined by the alienation theory of Karl Marx and the development of the alienation theory by Melvin Seeman. This research was conducted by applying a qualitative method. Based on the research results, it can be seen that in novel Koujou the alienation of temporary workers is described in the form of 1) alienation from self-potential; 2) alienation from products and production processes; 3) alienation from other workers; and 4) alienation from the meaning of work.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115189327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study discusses an analysis of Korean language particle-predicate collocation error made by Indonesian speakers. This study aims to analyze the error of using Korean particle-predicate collocations done by Indonesian speakers. This study is written to answer two questions; which types of particle-predicate collocation errors do Indonesian speakers make the most? and what are the forms of Korean particle-predicate collocation errors made by Indonesian speakers? This study uses both qualitative and quantitative methods and uses the results of questionnaires that had been distributed online as material of analysis. The data obtained was calculated and classified based on the type of error using language error analysis and types of language error theory. The result of this study shows that the highest type of error made by Indonesian speakers in the use of particle-predicate collocation is substitution error (48.47%), followed by omission error (33.05%) and addition error (18.48%). Furthermore, the error of using nominative case particle-predicate collocations (39.47%) is highest types of error made by Indonesian speakers, followed by error in the use of object case particle-predicate collocations (30.30%) and error in the use of adverbial case particle-predicate collocations (30.23%).
{"title":"ERROR ANALYSIS OF KOREAN PARTICLE-PREDICATE COLLOCATION BY INDONESIAN SPEAKERS","authors":"Daniel Rolis Cuajaya, Usmi","doi":"10.22216/kata.v6i2.1552","DOIUrl":"https://doi.org/10.22216/kata.v6i2.1552","url":null,"abstract":"This study discusses an analysis of Korean language particle-predicate collocation error made by Indonesian speakers. This study aims to analyze the error of using Korean particle-predicate collocations done by Indonesian speakers. This study is written to answer two questions; which types of particle-predicate collocation errors do Indonesian speakers make the most? and what are the forms of Korean particle-predicate collocation errors made by Indonesian speakers? This study uses both qualitative and quantitative methods and uses the results of questionnaires that had been distributed online as material of analysis. The data obtained was calculated and classified based on the type of error using language error analysis and types of language error theory. The result of this study shows that the highest type of error made by Indonesian speakers in the use of particle-predicate collocation is substitution error (48.47%), followed by omission error (33.05%) and addition error (18.48%). Furthermore, the error of using nominative case particle-predicate collocations (39.47%) is highest types of error made by Indonesian speakers, followed by error in the use of object case particle-predicate collocations (30.30%) and error in the use of adverbial case particle-predicate collocations (30.23%).","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114238118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sukardi, Muhammad Dedad Bisaraguna Akastangga, Zainul
Diwan Ali Bin Abi Talib is a literary work that is poetic and rich in the meaning of worldly advice. To reveal the poetic meaning of worldly advice in Ali Bin Abi Talib's verse, a deeper study is needed in terms of form and content. This study examines worldly advice in the diwan of Ali Bin Abi Talib. The purpose of this study is to reveal the meaning of the sign and the purpose of the speech of advice in Ali Bin Abi Talib's diwan specifically. The method used in this research is descriptive qualitative with semiotic and pragmatic approaches. Semiotics is used to describe the meaning of signs in the stanzas of advice poetry. While pragmatics is used to describe the purpose of the advice utterance. The results of this study indicate that there are 334 verses that can be used as guidelines for life in the diwan Ali Bin Abi Talib. Semiotically, the signs are found in the form of phrases, clauses, and sentences, each of which is spread out in each stanza. The signs form the whole meaning unified. Pragmatically,the meaning of the utterances is found.
《迪万·阿里·宾·阿比·塔利卜》是一部充满诗意和世俗意义的文学作品。要揭示阿里·本·阿比·塔利卜诗歌中世俗忠告的诗意内涵，需要从形式和内容两个方面进行深入的研究。本研究考察了Ali Bin Abi Talib的diwan中的世俗建议。本研究的目的是具体揭示Ali Bin Abi Talib的diwan中符号的含义和建议演讲的目的。本研究使用的方法是描述定性与符号学和语用的方法。符号学用来描述劝谏诗节中符号的意义。而语用学则用来描述建议话语的目的。本研究结果表明，在diwan Ali Bin Abi Talib中有334节经文可以作为生活指南。从符号学上讲，这些符号以短语、分句和句子的形式出现，每一种形式都分布在每一节中。这些符号形成了统一的整体意义。语用上，找到话语的意义。
{"title":"THE MEANING OF ADVICE SIGNS IN DIWAN ALI BIN ABI THALIB THE STUDY OF PRAGMATIC SEMIOTICS","authors":"Sukardi, Muhammad Dedad Bisaraguna Akastangga, Zainul","doi":"10.22216/kata.v6i2.630","DOIUrl":"https://doi.org/10.22216/kata.v6i2.630","url":null,"abstract":"Diwan Ali Bin Abi Talib is a literary work that is poetic and rich in the meaning of worldly advice. To reveal the poetic meaning of worldly advice in Ali Bin Abi Talib's verse, a deeper study is needed in terms of form and content. This study examines worldly advice in the diwan of Ali Bin Abi Talib. The purpose of this study is to reveal the meaning of the sign and the purpose of the speech of advice in Ali Bin Abi Talib's diwan specifically. The method used in this research is descriptive qualitative with semiotic and pragmatic approaches. Semiotics is used to describe the meaning of signs in the stanzas of advice poetry. While pragmatics is used to describe the purpose of the advice utterance. The results of this study indicate that there are 334 verses that can be used as guidelines for life in the diwan Ali Bin Abi Talib. Semiotically, the signs are found in the form of phrases, clauses, and sentences, each of which is spread out in each stanza. The signs form the whole meaning unified. Pragmatically,the meaning of the utterances is found.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115874377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Sanjai is one of the typical foods in Bukittinggi. Sanjai is a type of cracker made from cassava which is thinly grated and then fried. Sanjai shops are very easy to find, ranging from small shops to large shops. One of the unique aspects of the Sanjai store is the values contained in the names, labels, and symbols found on the shops’ sign. The expression of values in names, labels and symbols is called the linguistic landscape of values. This research is an attempt to examine the value on the signboard of the Sanjai shop. The data of this research are the names, labels and symbols on the signboards of Sanjai shops in Bukittinggi and Agam. The research was conducted qualitatively. The data are collected by using observational method with recording and note taking techniques. Data analysis was carried out from the perspective of the linguistic landscape, namely the approach used to examine the landscape of language in public spaces. The data analysis of the research applied the referentional and pragmatic identity method (Sudaryanto, 2015). These analytical methods are used to identify and explore the values contained in the names, labels and symbols on the Sanjai shop sign. Based on the results of data analysis, six values were found, namely: economic value, identity value, religious value, power value, solidarity value and artistic value.
{"title":"A LINGUISTIC LANDSCAPE OF VALUES ON SANJAI SHOP SIGNS IN BUKITTINGGI AND AGAM","authors":"Tia Kharina Elvonny, N. Nadra, Ike Revita","doi":"10.22216/kata.v6i2.1080","DOIUrl":"https://doi.org/10.22216/kata.v6i2.1080","url":null,"abstract":"Sanjai is one of the typical foods in Bukittinggi. Sanjai is a type of cracker made from cassava which is thinly grated and then fried. Sanjai shops are very easy to find, ranging from small shops to large shops. One of the unique aspects of the Sanjai store is the values contained in the names, labels, and symbols found on the shops’ sign. The expression of values in names, labels and symbols is called the linguistic landscape of values. This research is an attempt to examine the value on the signboard of the Sanjai shop. The data of this research are the names, labels and symbols on the signboards of Sanjai shops in Bukittinggi and Agam. The research was conducted qualitatively. The data are collected by using observational method with recording and note taking techniques. Data analysis was carried out from the perspective of the linguistic landscape, namely the approach used to examine the landscape of language in public spaces. The data analysis of the research applied the referentional and pragmatic identity method (Sudaryanto, 2015). These analytical methods are used to identify and explore the values contained in the names, labels and symbols on the Sanjai shop sign. Based on the results of data analysis, six values were found, namely: economic value, identity value, religious value, power value, solidarity value and artistic value.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124805524","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This study aims to find out the metaphors in the poem entitled ‘Puisi buat Rakyat Indonesia' / 'Indonesia Inmin-ege Juneun Si [인도네시아 주는 시] by Park Inhwan. The method of this research was descriptive qualitative. The theory used was the cognitive semantics of conceptual metaphor according to Lakoff and Johnson (2013); image schema according to Cruse and Croft (2004). The results show that the types of metaphors are divided into 12 structural metaphors with 2 conceptual meanings of stolen and extermination; 1 conceptual meaning contains severe colonialism, natural wealth, stolen, bad condition, owned, independence, colonize, slump, and feels beautiful; 4 orientational metaphors with conceptual meaning of being independent country, colonized, oppressed, and lost in the war; and 12 ontological metaphors with conceptual meanings of tortured, loss of hope for the future, surrender, religion, tactics, independence, joint attacks, blaze of spirit, torture, hereditary, taking many victims, and victory. The schematic images are force subtheme compulsion, counterforce, restraint, and enablement; the unity image scheme subtheme part & whole and merging; existence image schema subtheme object, process, and cycle; space image scheme, up & down; scale image schema subtheme paths; the identity image scheme subtheme matching.
本研究旨在找出朴仁焕的诗《Puisi buat Rakyat Indonesia》/《Indonesia Inmin-ege Juneun Si》中的隐喻。本研究采用描述定性方法。所使用的理论是Lakoff和Johnson(2013)的概念隐喻的认知语义;根据克鲁斯和克罗夫特(2004)的形象图式。结果表明:隐喻类型分为12个结构隐喻，具有偷窃和消灭两个概念意义;1 .概念意义包含严重殖民主义、自然财富、被盗、条件恶劣、拥有、独立、殖民、萧条、感觉美好;4个具有独立国家、被殖民、被压迫、战败等概念意义的方位隐喻;12个本体论隐喻的概念含义是折磨，对未来失去希望，投降，宗教，战术，独立，联合攻击，精神之火，折磨，世袭，大量受害者，和胜利。所述示意性图像为力的次主题强迫、反力、约束和使能;统一形象方案，分主题、分整体和融合;存在意象图式子主题、客体、过程与循环;空间图像方案，上下;尺度意象图式子主题路径;标识图像方案子主题匹配。
{"title":"THE CONCEPTUAL METAPHOR IN KOREAN POEM 'INDONESIA INMIN-EGE JUNEUN SI [인도네시아]' BY PARK INHWAN: COGNITIVE SEMANTIC ANALYSIS","authors":"Lia Amelia Nurkhazanah, Tajudin Nur","doi":"10.22216/kata.v6i2.884","DOIUrl":"https://doi.org/10.22216/kata.v6i2.884","url":null,"abstract":"This study aims to find out the metaphors in the poem entitled ‘Puisi buat Rakyat Indonesia' / 'Indonesia Inmin-ege Juneun Si [인도네시아 주는 시] by Park Inhwan. The method of this research was descriptive qualitative. The theory used was the cognitive semantics of conceptual metaphor according to Lakoff and Johnson (2013); image schema according to Cruse and Croft (2004). The results show that the types of metaphors are divided into 12 structural metaphors with 2 conceptual meanings of stolen and extermination; 1 conceptual meaning contains severe colonialism, natural wealth, stolen, bad condition, owned, independence, colonize, slump, and feels beautiful; 4 orientational metaphors with conceptual meaning of being independent country, colonized, oppressed, and lost in the war; and 12 ontological metaphors with conceptual meanings of tortured, loss of hope for the future, surrender, religion, tactics, independence, joint attacks, blaze of spirit, torture, hereditary, taking many victims, and victory. The schematic images are force subtheme compulsion, counterforce, restraint, and enablement; the unity image scheme subtheme part & whole and merging; existence image schema subtheme object, process, and cycle; space image scheme, up & down; scale image schema subtheme paths; the identity image scheme subtheme matching.","PeriodicalId":159474,"journal":{"name":"Jurnal KATA","volume":"289 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134040355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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