The Representation of Muslim Characters in Post 9/11 Fiction

S. Abderrazag, Ilhem Serir
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Abstract

In the wake of September 11th, attacks, several writers seek to depict the event’s impact on the country and its population. However, at the very beginning novelists seem to support the victimization of Americans and accuse the Muslims but later, many voices, including Muslim as well as non-Muslim writers, contribute through giving a voice to the ‘enemy’, and the American novelist Jess Walter is no exception. This analytical study, then, aims at providing evidence that Walter portrays Muslim characters in his work The Zero (2006) and that he does so to deconstruct the idea that Americans are totally innocent and victims while Muslims are the only entity to blame. The present paper, thus, is an attempt to pinpoint that through depicting several characters, including American and Middle Eastern ones, as reacting to the dominating ‘truth’, Walter seems to be giving a voice to the voiceless and providing readers with a different version of reality. Therefore, the ultimate purpose of this study is to prove that The Zero can be considered as a counter-discourse.
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后9/11小说中穆斯林人物的表现
911恐怖袭击之后,几位作家试图描绘这一事件对国家及其人民的影响。然而,一开始,小说家似乎支持美国人的受害并指责穆斯林,但后来,许多声音,包括穆斯林和非穆斯林作家,通过为“敌人”发声做出贡献,美国小说家杰斯·沃尔特也不例外。因此,本分析性研究旨在提供证据,证明沃尔特在他的作品《零点》(2006)中描绘了穆斯林人物,他这样做是为了解构美国人是完全无辜的受害者,而穆斯林是唯一应该受到指责的实体的观点。因此,本文试图指出,通过描绘几个人物,包括美国和中东的人物,作为对占主导地位的“真相”的反应,沃尔特似乎给了无声的人一个声音,并为读者提供了一个不同版本的现实。因此,本研究的最终目的是证明the Zero可以被视为一种反话语。
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